| Lot | Description | Price |
| 4000 | Framed oil on canvas, Two Playful Kittens, unsigned, Contemporary, overall: 16.5''h x 19''w | 45 |
| 4001 | (Lot of 2) Framed oils on canvasboard, Indonesian Scenes, one signed indistinctly lower right, overall: each 15''h x 19''w | 30 |
| 4002 | Framed oil on canvasboard, Floral Still Life, signed indistinctly (Angie S. Kurtze?) lower right, overall: 16''h x 19.75''w. | 20 |
| 4003 | Framed oil on canvasboard, View of a Yellow House, signed and dated Madducks '30 lower left, overall: 10.5''h x 12.5''w | 20 |
| 4004 | (Lot of 2) Framed oils on board, Chickens in a Farmyard and Floral Still Life, unsigned, Contemporary, largest overall: 14.5''h x 13''w. | 25 |
| 4005 | (Lot of 2) Framed artwork: oil on canvas, ''Up for Repairs,'' by Michael Kaiser, overall: 13''h x 15''w; Pen and ink drawing, ''Jamestown Bridge,'' signed indistinclty and dated '63 upper right, overall: 9.5''h x 12.5''w | 20 |
| 4006 | Framed oil on canvas, Coastal Scene (possibly Baker Beach), by Townley Benson (Californian, 1848-1907), signed and dated 1904 lower left, sight: 10''h x 16''w, overall: 13''h x 19''w. | 275 |
| 4007 | Framed oil on artist's board, Autumn Foliage, unsigned, contemporary, overall: 16''h x 11''w | 20 |
| 4008 | Framed watercolor, Mission Bells, by Marie Antoinette Ney (American, 1846-1915), signed lower right, sight: 11.5''h x 17.5''w, overall: 15.5''h x 22.5''w. | 60 |
| 4009 | Framed oil on canvas, Landscape with House, signed R. Kendall lower right, overall: 14''h x 16''w. | 10 |
| 4010 | Art pottery vase depicting petroglyphs from the caves of Lascaux, 10'', wear to bottum | 25 |
| 4011 | (lot of 2) Roseville art pottery vase in the Magnolia pattern, 9''h, drilled at base; Weller art pottery vase in the Velva pattern, marked Weller pottery, 11''h | 100 |
| 4012 | Art pottery candelabra centerpiece, signed Rumrill 19'' w | 20 |
| 4013 | Art Pottery moon flask vase in a dark green ground with floral and butterfly decoration, 9.5''h | 50 |
| 4014 | Vernon Kilns Disney ''Fantasia'' console bowl, 10.5''d | 25 |
| 4015 | Roseville Freesia Blue console bowl, 7-10 | 80 |
| 4016 | Pair of Weller Blue Chase vases, circa 1921, 8''h | 110 |
| 4017 | Art pottery vase in a purple cloudy ground with polychromatic floral reliefs, 12.5'' | 25 |
| 4018 | Pair of French Rococo dore bronze five-light candelabra, circa 1870 with dolphin heads and flora, 19.5''h | 250 |
| 4020 | (lot of 6) Meriden Brita Silverplate coffee and tea service consisting of coffeepot, tea pot, and chocolate pot, all having resin insulators, and a covered, footed sugar and open, footed creamer; together with a Reed & Barton waste bowl in identical grape and leaf design; all items stamped 1950; the tallest 12''h (restorations) | 100 |
| 4021 | (lot of 5) Polychromed ceramic and art pottery bird figurals, makers including Bohem, Tay, 13''h | 130 |
| 4022 | (lot of 2) Royal Doulton figurines, ''Jean'' 8''h; together with ''Margaret'' 7''h | 200 |
| 4023 | (lot of 2) Y. Calle (Italian) hand painted bisque figures of a gentleman holding balloons, 9''h, and a boy & girl, 6'', both signed Calle on base | 80 |
| 4024 | (lot of 4) Porcelain dogs including a Royal Copenhagen Poodle, 4.25''h; Royal Copenhagen Golden Retriever, 5.5''h; Rosenthal Schnauzer, 7.5''h; and a Scottish Terrier, 11.25''h, marked the Kennel Club by Shafford | 200 |
| 4025 | Royal Copenhagen porcelain figure of a satyr seated on a turtle, 3.5''h | 140 |
| 4026 | Vienna Augarten porcelain figural of ''Aricbette'' of the Spanish Riding School, 11.5'' | 375 |
| 4027 | (lot of 2) Shell form table lamps featuring the Bay of Naples and the Three Graces mounted on brass tripod base depicting Phoenix figures | 50 |
| 4028 | Bristol glass cobalt pedestal vase having hand enameled decoration of a bird in flight above flowers, 12.75'' | 25 |
| 4030 | Haviland Limoges blanc de chine wine cooler with a wide upper band detailing a garden relief above fluting to pedestal, 7.5''h after the 18th century original | 25 |
| 4031 | Continental porcelain cabinet plate featuring a central hand painted coat of arms on a white ground surrounded by gilt decoration and cobalt border, marked with crossed arrows through a circle, 12'' | 20 |
| 4032 | (lot of 3) Two Coalport porcelain chamber sticks having applied floral decoration and gilt accents, 3''; together with a Dresden porcelain candle stick having hand painted floral motif and gilt accents, 10'' | 80 |
| 4033 | Van Briggle art pottery bowl in a red matte crackle glaze detailed with blue accented leaves, Van Briggle hallmark, 4.5'' | 60 |
| 4034 | (lot of 3) German majolica plate with grape on vine motif on a light green ground, 12''; together with 2 Sarreguemines majolica plates, the first having a carved petal design in a yellow to green glaze featuring a grape on vine motif, 9''; the second plate details a berry and leaf border on a light blue ground with a central stylized flower design, 8.5'' | 150 |
| 4035 | (lot of 4) Wedgwood articles including a diamond shaped dish with classical scenes, City of London commemorative saucer, miniature urn depicting classical scenes, and a vase decorated with putti | 20 |
| 4036 | Metal bird form sconce with chain attached shell shade, 10''h | 50 |
| 4037 | Carved ebonized wood bust of an elephant mounted to a copper plaque and electrified, repaired tusk | 45 |
| 4038 | (lot of 4) Three gilt enameled handled plates, 2 with floral decorations retailed by S&G Gump San Francisco, together with a Dresden hand painted plate, 12'' | 100 |
| 4039 | (lot of 2) Meissen porcelain quadrefoil form covered casserole featuring genre scenes with a rosebud knop, 6'', repaired; together with a Minton bone china pedestal bowl decorated in a bright polychromatic Asian motif, 4.5''h x 9''w | 90 |
| 4040 | Set of 8 Royal Crown Derby bona china cabinet plates displaying hand painted flowers including Clematis Jackmanii Superba, Liliaceae Tigtinum, Freesia Hybrid, Rosa Villosa, Hybrid Tea Rose 'Peace', Azalea Indica, Fuchsias, and Orchid Cymbidium Hybrid, 8.5'' | 50 |
| 4041 | Wedgwood reticulated creamware covered pedestal orange basket with twisted vine handles and flower knopp, 11'' | 130 |
| 4044 | (lot of 2) Hummel candle holder ''Girl with Heart'' 2.5'', and ''Heaven Sent'' 3'' both having full bee marks | 40 |
| 4045 | Ceramic sculpture of a Masai woman balancing a basket on her head, 26''h | 20 |
| 4046 | Carved stone sculpture of a duck, 14.5'' | 20 |
| 4047 | (lot of 2) Portuguese carved parian ware figural of a mother holding her son 22''h, and a girl with a squirrel 12.5'' | 225 |
| 4048 | Sea shell mounted shade on a lamp, 23'' | 200 |
| 4049 | Art pottery jardiniere in an overall brown high glaze decorated with daisies marked Warou Ireland 8''h x 9''w | 20 |
| 4050 | British Victorian buff stoneware pitcher moulded with the figures of Tam O'Shanter & Souter Johnny, 8.5''h, repair to arm and spout | 20 |
| 4052 | Art pottery jardiniere and pedestal, 20'' tall | 25 |
| 4053 | (lot of 2) Portuguese carved parian ware figural of a motrher holding her son 22''h, and a girl with a squirrel 12.5'' | 275 |
| 4054 | Chinese large rosewood figural group, carved and incised as the immortal Shoulao standing with a spray of peaches and surrounded by a group of playful children holding various gifts, one seated on a recumbent stag, all supported on a rocky plinth, with inlaid accents, 16.5''h; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 80 |
| 4055 | Pair of Chinese boxwood carvings, each depicting a recumbent elderly fisherman carved and incised in a mirror pose with legs outstretched and fish held to the front, 5.75''l; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 25 |
| 4056 | East Indian small gilt and lapis lazuli figure of Ganesa, the four-armed elephant-headed deity seated with the characteristic attributes on a throne reversed by a painted sun, 2.25''h | 25 |
| 4057 | Thai carved stone head of the Buddha, Sukothai/Ayutthaya period, the oval face with gentle features and a cap of small curls heightened with black pigment, with a wooden stand (extensive wear), 6.75''h; Provenance: Helen Moncharsh Living Trust | 140 |
| 4058 | Himalayan bronze model of a stupa, the waisted structure surmounted by chattris/harmika, encircled by four seated Buddha figures and resting on a double-lotus base entwined by a Naga, all on a stepped square plinth with miniature stupas at the corners and supported on the back of four leonine figures linked by a reticulated apron of foliate design (wear, possibly resealed), 8.25''h | 175 |
| 4060 | Chinese necklace of three large and twenty-six smaller carved stone beads, each of globular form and pierced with a design of character medallions amid foliate scrolls. | 50 |
| 4061 | (lot of 5) Chinese jade and hardstone ornaments, consisting of: a cicada, a snake and bi, two Buddha images and a fruit-form pendant. | 50 |
| 4062 | (lot of 4) Chinese carved jade decorations, consisting of: an oversize belt hook with extensive russet mottling; two miniature belt hooks of olive and sea-green tone; and a carving of a leonine figure, probably a chilong, with open mouth and curling tail, the green matrix with opaque inclusions, first 6''l | 110 |
| 4063 | Chinese large jade pendant, the oval front carved and incised with lingzhi and fruiting branches with bats, reversed by a fish in a lotus pond, the matrix extensively mottled with apple-green, white and black, set within a gilt metal band, 2.75''h | 120 |
| 4064 | Chinese large jade (nephrite) seal, the top carved with opposing dragons, the sides with further dragons, the base with four characters, the stone of green color mottled with russet, 3.5''h | 90 |
| 4065 | Chinese carved jade boulder, carved with a figure holding stalks of large lingzhi fungus and riding a qilin beneath a large pine spreading to the reverse with a small figure of a deer on a bridge over a waterfall, the opaque stone of dark and apple-green, white and russet color, stained accents, 9''h | 200 |
| 4066 | Chinese amethyst figural carving, featuring a beauty in long flowing garments standing with a large floral spray in her left hand, the translucent pale purple matrix with extensive crystaline inclusions,on a wooden stand, 4.75''h | 60 |
| 4067 | (lot of 3) Chinese nephrite pendants, the first of white hue and carved with bat and a branch of lingzhi or fruiting peaches, the next of greenish-white color with russet inclusions and featuring a bird and snake, the last of white mottled with dark inclusions and with phoenix and dragon motifs, 2.75''-2''l | 80 |
| 4068 | (lot of 2) Chinese archaistic nephrite pendants, the first of white hue mottled with dark inclusions and carved with pair of dragons flanking an oval with C-commas above a taotie mask, the second of mottled green tone and fashioned as a stylized head flanked by archaic birds above a taotie mask, 4.25''l and 3''l | 100 |
| 4070 | (lot of 6) Chinese polished jade pendants, including: a pale green plaque of confronted dragons; a pair of light green pendents fashioned with cash emblems and chilong suffused with lavender; a reticulated plaque of a phoenix, reversed by a dragon, flecked with green and black; a greenish piece with a fu-lion and ribbon-tied ball, green inclusion; and pendant portraying a dissolving chilong amid scrolling tendrils. | 50 |
| 4071 | Chinese belt of articulated jade (nephrite) plaques, consisting of a rectangular front plaque and multiple small rectangular plaques threaded together, the translucent matrix of sea green color mottled with white and/or dark inclusions, 43''l | 225 |
| 4072 | Chinese pieced bone figure of a goose, standing with head raised, the feathery body defined by carved and incised pieces of natural bone, with inlaid mother-of-pearl eyes and horn beak and feet, 14.5''h | 140 |
| 4073 | Chinese elephant ivory figure of a caparisoned horse, 20th century, standing with head turned, with incised and dark stained details, with fitted wooden stand, 5.75''h | 90 |
| 4074 | Chinese elephant ivory two-section puzzle ball, the pierced and incised multi-layer ball with dragons to the exterior, the cupped stand with a long spindle supported on the head of a maiden standing on a circular base, 11''h; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 120 |
| 4075 | (lot of 6) Selection of Asian carved bone and composition ivory items, including: a butterfly shaped insect cage; a small rectangular two-tier insect cage; a single case inro with lady-bug design; a two-case inro with owl, dragon and fish reserves; and two reticulated match box containers, 4.5''l | 70 |
| 4076 | (lot of 9) Chinese ivory and bone carvings, consisting of: an ivory youth playing a flute; a figurine of Budai; a miniature fisherman; a group of miscellaneous items including letter opener, cigarette hold, etc (together with an ink stick), first 6''h; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 100 |
| 4077 | Chinese elephant ivory figural carving, featuring a high-ranking Chinese beauty standing with a lute in her hands, her head framed by an oval fan standing to one side, all on carved wooden base, 6.5''h | 100 |
| 4078 | Chinese patinated bone/tooth figurine, well carved and incised as a Chinese immortal standing in official cap and robes and holding a cup (age cracks), 3''h; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 20 |
| 4079 | Chinese carved bone chest set, consisting of 16 natural and 16 red-tinted miniature figures corresponding to usual configuration, emperor 2.75''h Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 90 |
| 4080 | Chinese blue Peking glass figure of a recumbent fu-lion biting a ribbon encircling a brocade ball picked out from the white glass base overlaid with bright blue, 3''l | 100 |
| 4081 | Pair of Chinese turquoise glazed fu-lions, each seated on a tall rectangular plinth, one with a pierced ball, the other with a pup, the base stamped 'China,' 9.5''h; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 40 |
| 4082 | (lot of 4) Chinese dehua (blanc de chine) and white ware figures of Guanyin, Late 19th/ early 20th Century, including: a standing figure in regal raiment with strands of minute jewels; a seated image in a pose of royal ease, with a kiln stamp to the reverse; and two figures holding lotus and supported on a lotus pedestal (some losses and damage), first 10.5''h; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 130 |
| 4083 | Chinese polychrome enamel decorated porcelain bowl, the shallow interior well painted with two geese feeding near a lotus pond beneath a cloud-shrouded gilt sun, bats to the exterior side (rim chip), 11.25''diam; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 100 |
| 4084 | Chinese polychrome enamel decorated porcelain tazza, 20th century, the interior centered by a cobalt blue shou medallion bordered by five bats and enamel-painted sprays of fruiting peach branches, repeated on the sloping sides, the exterior with further bats alternating with birds above a tall pedestal base defined by patterned bands (hairline crack), 4''h; 7.5''diam | 100 |
| 4085 | Chinese polychrome enamel decorated porcelain bowl, Guangxu mark and period, the flaring exterior sides painted with scattered leafy green and red sprays within key-fret border bands, the base with a six-character period mark, 6.75''diam | 425 |
| 4086 | Pair of Chinese polychrome enamel decorated octangonal bowls, each exterior painted with alternating phoenix and stylized lotus amid scrolling tendrils on a turquoise ground below a ruyi-head rim band, the interior turquoise, the base with apocryphal Qianlong mark, 9.5''diam; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 140 |
| 4087 | (lot of 3) Chinese snuff bottles, including: a shield-shape banded agate bottle, coral stopper; an orange Peking glass ovoid bottle with mock loose ring handles, clear stopper; and a silver-colored metal bottle incised with fish, lotus and auspicious emblems. | 100 |
| 4088 | (lot of 3) Chinese polychrome enamel decorated porcelain dishes, including: a turquoise ground lozenge-shaped small tray; a floriform pedestal dish with bird-and-flower design; and a small lobed bowl of square contour and exterior stylized lotus motif, first 9''l; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 70 |
| 4089 | Chinese blue-and-white decorated vase, Qing dynasty, the ovoid body with pair of mock animal-mask and ring handles below a waisted neck accentuated by a raised band, painted with a continuous frieze of Chinese beauties engaged in elegant pursuits on a garden terrace scattered with scholar's objects, all supported on a tall flaring foot with another raised horizontal ring and underglaze blue floral sprays, the base with a six character Kangxi mark (rim chips), 6.25''h | 100 |
| 4090 | Chinese zitan-stained hardwood box, of circular form with a tightly fitted lid carved to the center with a peony spray within a key-fret border band, 7''diam | 20 |
| 4091 | Chinese carved hardwood tray, the rectangular interior with a wide border band of linked flowering leafy vines, with etched gilt metal fittings, 20''h | 70 |
| 4092 | (lot of 2) Vietnamese blue and white porcelain bowls, late 15th/early 16th century, each from the famous Hoi An hoard, the first a small lobed circular container pencilled with floral reserves, the second a globular jar on a pedestal foot, each with circular identification tags (#095650 and #86276), first with certificate of authenticity (glaze degraded), 2''diam and 3.25''h | 25 |
| 4093 | (lot of 2) Vietnamese blue and white porcelain bowls, late 15th/early 16th century, each from the famous Hoi An hoard and decorated to the interior with a floral spray, the exterior with scrollling orchid band above lappets, the base with circular identification tags (#129252 and #182939), each with certificate of authenticity (one with hairline crack), 5.5''diam | 25 |
| 4094 | (lot of 2) Vietnamese enamel decorated porcelain bowls, late 15th/early 16th century, each from the famous Hoi An hoard, the first a small cup painted with floral motifs, the second a low globular jar with interior blossom, each with circular identification tags (#71952 and #56514), each with certificate of authenticity (glaze degraded), 2.5'' and 4''diam | 25 |
| 4095 | Japanese Satsuma style barrel-form container, the sides and fitted cover painted in gilt and bright enamels with figures engaged in elegant pursuits and reserved on a brocade ground, together with a carved wooden stand with a reticulated apron and resting on five cabriole-shaped supports, 5.25'' and 3.75''h | 425 |
| 4096 | Japanese large Satsuma-style bowl, 20th century, with steep sides and decorated overall with a dense millefleur pattern in gilt and colored enamels, the base with cartouche reading 'Fu' and stamped 'Made in Japan', with padded velvet box 9.5''diam | 800 |
| 4097 | Japanese style Imari style chrysanthemum-form charger, the interior well painted in gilt, underglaze blue and bright polychrome enamels with a flower vase surrounded on the curving sides with alternating floral panels separated by ruyi-shaped red-enamel reserves of ribbon-tied books amid flowering tendrils, the petal-form ground of alternating pattern, 16.5''dia | 325 |
| 4099 | Japanese patinated bronze figure of an elephant, well cast in mid-stride with head thrown back and trunk raised, the undersize inscribed '[Hide]yama', 9.5''l | 110 |
| 4100 | Japanese miniature cloisonne enamel vase, Meiji Period, the ovoid body decorated to the front with a butterfly amid flowering hydrangea and chrysanthemums in bright colors on a mirror black ground, the waisted neck encircled by a jeweled garland below the dished rim (restoration to shoulder), 5''h | 70 |
| 4101 | Japanese miniature cloisonne enamel vase, Meiji period, the slightly squared ovoid body decorated with stylized butterflies on a Prussian blue ground (some peeling of lacquer coating), 4.75''h | 35 |
| 4102 | Japanese silver-washed metal box, Meiji period, the hinged lid cast in high relief as an open chrysanthemum blossom with the realistic petals extending down all sides, the base with the mark of Hayashi Kodenji, with velvet lining (wear, hinges broken), 4.5''l | 50 |
| 4104 | Chinese glass inside painted globe, featuring genre scenes based on the famous Song Dynasty scroll 'Qingming shang he tu' (=Painting of the Qingming River [Festival]), on fitted wooden stand, 5''h | 90 |
| 4107 | (lot of 3) East Indian silver folk bracelets, including: a pair of formed by conjoined silver spikes threaded together, bracketed by inlaid colored glass foliate accents and with a loop clasp, the last of small hollow beads surmounted by opposing silver diamonds joined by two black cords (wear). NB: to be sold to benefit charities associated with the Dalai Lama. | 50 |
| 4108 | East Indian silver belt/girdle, formed by curved links with rectangular reticulated plaques to either end and with occasional blue and red glass inlaid accents (wear). 40.5''l; NB: to be sold to benefit charities associated with the Dalai Lama. | 140 |
| 4110 | (lot of 2) Chinese metal containers, the first a ruyi-scepter shaped censer with a reticulated top and insert above a conforming lower storage section, with copper edge bands and pierced base, the second a low circular box with a fitted domical lid with a blue knob finial, the lobed sides and top with enamel decorated reserves (wear), 10.25''l and 6.5''diam; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 300 |
| 4111 | Chinese silver filigree snuff bottle, late 19th/early 20th century, of cylindral shape and decorated with floral motifs with occasiona coral and turquoise-colored inlay, with conforming stopper, stamped 'China,' 3''h; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 25 |
| 4112 | (lot of 2) Chinese cloisonne enamel decorated pieces, the first a silver-colored pipe with a long curving mouthpiece and removable hexagonal container, the sides with a blue enamel ground key-fret band bracketed by narrow bands of black auspicious emblems, the second a shallow bowl with a stylized frontal dragon in the interior well, further dragons on the exterior, 12.5''h and 6.5''diam; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 150 |
| 4113 | Chinese mirror in a hardwood frame with inlaid mother-of-pearl designs of bamboo and floral sprays, 17''h x 11''w Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 60 |
| 4114 | (lot of 3) Asian wood and bamboo articles: the first a bamboo telescoping pool cue inlaid with monkey and peaches, the second a decorated wood two-section pool cue, the exterior carved and painted with a stylized map of Japan and Korea, the last a Chinese carved wooden lantern frame, last 14.5''h; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 30 |
| 4116 | (lot of 3) Japanese small cast bronze vases, the first of high shoulder form and decorated with iris to the front, the second of pear-form with a wide mouth and cast with a kingfisher amid water plants, with dark brown patina, the last with a waisted neck and pair of faux bamboo handles issuing leafy stems, tallest 6.5''h | 25 |
| 4117 | Japanese lacquered wood vase with copper insert, early 20th century, of cylindrical shape slightly tapering to either end and decorated with a song bird on the fruiting leafy tendril executed in gilt and iroe takamakie and hiramaki-e with nashji accents on a natural wood ground, 11.5''h | 25 |
| 4119 | (Lot of 2) Chinese embroidered felt panels, each with two immortals embroidered in silk and decorated with metallic couching on a red ground among clouds, bats, and flowers (minor stains, tears, minor wormage, and some loss of couching and embroidery), each 36''h x 12.5''w, Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 25 |
| 4120 | Chinese ten-leaf painting album, after Dong Qi (1772-1844), probably Qing dynasty, each depicting scholar or recluses in a landscape setting, the last page with a five-character poetic couplet and bears signature 'Dong Qi', each page with two seals of the artist, 11.75''h x 14''w; painting 8.25''h x 11''w | 550 |
| 4121 | (lot of 2) Two Korean celadon glazed vases, each of globular shape, the first with eight registers of white and black cranes in flight below a waisted neck and dished rim, the base signed and sealed 'Songrim', the second of double wall construction fashioned as a plaited basket, the shoulder with a band of flying cranes amid clouds, the base signed and sealed 'Tongcheon', 8.75'' and 9'' | 100 |
| 4122 | Chinese blue and white covered jar, based on a Kangxi prototype with the ovoid body painted with large ogival panels featuring 'Hehe Erxian' in a lotus pond separated by stylized lotus repeated on the lid, the base with a double underglaze blue ring, 8.75''h | 70 |
| 4123 | Chinese flambe glazed vase, 20th century, the globular body with a wide raised band on the shoulder and covered in a purple and blue streaked glaze thinning at the waisted neck, the base with a four character studio mark, 10''h | 25 |
| 4124 | Chinese unusual yixing baluster vase, the tapering ovoid body sculpted in various colored clays with long tailed phoenix-inspired birds cavorting amid flowering peony, the shoulder and foot with an incised band of tendrils, the base with a four character artist's mark 'hao [ ] xi zhi', 14.25''h | 130 |
| 4125 | Japanese large two-section kiriwood mizuya kasane-dansu (kitchen cabinet), Meiji Period, the upper section with two pairs of sliding doors above another two sets of sliding doors with transparent glass panels (one etched with a landscape), all above a row of four drawers across the bottom, the lower section with a pair of large sliding doors above a row of three drawers and flanked by a stack four drawers on the right, with iron hirute-style pulls, 67.25''h x 72.25''w x 19''d | 500 |
| 4126 | Japanese two-section wood mizuya kasane-dansu (kitchen cabinet), Meiji period style, probably hinoki (cypress) wood, the upper section with two sets of sliding doors, the larger above a row of three drawers, a group of four small drawers to the left, the lower section with a pair of sliding doors above a row of three drawers and flanked by a stack four drawers on the right, with iron hirute-style pulls, 66.5''h x 47''w x 19.75''d | 700 |
| 4129 | Pair of Chinese polychrome enamel decorated baluster vases, each with a trumpet mouth and waisted neck flanked by pairs of confronted fu-lions, further applique of writhing dragons on the shoulder above figural panels reserved on a yellow ground with scrolling tendrils scattered with blossoms and butterflies, each base with an apocryphal Xianfeng mark, 13.25''h | 50 |
| 4130 | (lot of 2) Chinese cloisonne enamel decorated pieces, the first a two-section container in the shape of a chicken with features picked out in bright enamels on a turquoise ground, the second a large black ground basin with a wide rim and centered by a blossom encircled by auspicious emblems, bat and shou medallions amid cloud scrolls, 11''h and 15''diam | 500 |
| 4131 | Pair of Japanese patinated bronze stick-neck vases, each rim formed by a pair of conjoined leaves, their stems forming a free-form handle opposed by a 'handle' formed by a crane's head and curved neck above a pair of outstretched wings fanning out over the globular vase body, 12.5''h | 275 |
| 4132 | Chinese white bisque baluster vase, the ovoid body molded with a herdboy pulling a oxen in a wooded landscape with a meandering stream, the base with raised inscription 'Wang Bing Rong zuo', 17''h | 200 |
| 4133 | Chinese polychrome enamel decorated baluster vase, painted with a beauty presenting a basket of peaches to Shoulao riding a deer in a spring landscape, the reverse with a seven-character poetic quatrain with the date guihai and signature of the artist, the base with a six-character studio mark (star crack), 17''h | 225 |
| 4134 | Japanese four-piece kandan-dansu (step-tansu), the main section with a pair of sliding doors above two rows of two doors accessible to either side, the two secondary stepped portions each a single top drawer above a pair of sliding doors (to either side) flanked by a drawer one side, with iron -style handles, together with a rectangular base, 66.25''h x 65''w x 18.25'' [when assembled] | 400 |
| 4135 | Pair of Japanese-style wood chests, 20th century, each top with a miniature tatami mat set into a rectangular framework, all above four drawers in two rows, 18''h x 36''w x 20''d | 175 |
| 4136 | Japanese large studio pottery jar, 20th century, the horizontal ribbed globular body with a slightly everted rolled rim and covered overall in a mottled deep orange glaze splashed with green, 11.5''h x 15''w | 175 |
| 4137 | Japanesed large studio pottery stoneware vase, 20th century, the globular body with a short waisted neck and covered overall in a mottled yellow-green 'oatmeal'-textured glaze with black splashes, 15''h | 100 |
| 4138 | Japanese small two-section wood mizuya kasane-dansu (kitchen cabinet), Meiji period style, probably hinoki (cypress) wood, the upper section with a single pair of sliding doors with raised iron bosses and above a row of three drawers, the lower section with a row of three drawers above another pair of sliding doors, with iron hirute-style pulls, 47''h x 45.25''w x 17.5''d | 550 |
| 4139 | Middle Eastern style bone inlaid and hammered brass casket with fitted leather interior 10''h x 12.5''w x 7''d | 130 |
| 4140 | Japanese small kiriwood mizuya (kitchen cabinet), Meiji Period, the top with a narrow pair of sliding wood doors with figured wood panels above another pair with textured glass panels and flanks by a drop-front compartment above a small drawer, all above a narrow pair of sliding doors with wire screens above a set of larger wood sliding doors, a row of two drawers across the bottom, 53.25''h x 28.5''w x 12.75''d | 300 |
| 4140A | Japanese two-section kiriwood mizuya kasane-dansu (kitchen cabinet), Meiji Period, the upper section with a pair of sliding wood doors with hinoki wood panels above another pair with characteristic wire screens, the lower section with a pair of sliding doors with woven panels above a row of three drawers, two stacks of two drawers at the bottom, with iron warabite-style pulls, 67''h x 33.5''w x 19.25''d | 325 |
| 4141 | Persian Lilihan, circa 1930, 3'5'' x 4'9'' wear spots | 70 |
| 4143 | Circa 1920 Turkish rug, 6'1'' x 3'8'' with wear spots | 70 |
| 4145 | (lot of 2) Italian glass box having millefiori pattern; together with a millefiori pattern lamp shade | 110 |
| 4146 | (lot of 2) Contemporary Crystalline glaze ceramic vase, 6''; together with small art glass vase having irridescent pulled feather motif, signed Zweifel, 5 1/2'' | 90 |
| 4149 | Zellique Studio art glass vase with blue to purple irridescent coloring having pulled feather motif, drilled base, 11 1/2''h, signed Lalique studio 1982 | 120 |
| 4150 | (lot of 2) Murano art glass fish, 7 1/2''h and 11''w, and rooster, 9''h | 50 |
| 4151 | (lot of 2) Art glass vase with rolled lip on beige ground having abstract pattern in brown to blue, 7 1/2''h; together with cased art glass vase having white marble effect, 10'', both indistinctly signed | 20 |
| 4152 | Orient and Flume art glass vase in iridescent blue with white vine flower decoration, 10''h, signed O. and F. 1982, drilled at base | 275 |
| 4153 | Bronze statue of a resting laborer, wearing his cap and work clothes, his arms slung over a bar support and his eyes downcast, 65''h x 31''w x 26''d | 1300 |
| 4153A | Bronze little boy trying to reach the mailbox, wearing a backwards cap, oversized house slippers and a summertime outfit, 53''h x 16.5''w x 21''d (key in office) | 600 |
| 4156 | Japanese three-section stacking kiriwood chest for clothing (uwaoki tsuki isho kasane-dansu), Taisho/early Showa period, the top section with a pair of sliding doors above a row of three small drawers, the middle section with a pair of hinged doors opening to three sliding trays, the bottom section with a stack of two long drawers, with warabite-style pulls, 60''h x 35.5''w x 16.5''d | 475 |
| 4157 | Framed paper cut-out, Day of the Dead Scene, Mexican, overall: 22.5''h x 34''w | 140 |
| 4158 | Sessions Model H Regulator clock, circa 1900, in oak case advertising ''La Reforma'' Havana Cigars 5 cents, (key in office) | 450 |
| 4159 | Pakistani Bokhara, 5'4'' x 3'4'' | 30 |
| 4159A | Vintage youth suitcase having various vintage doll clothing | 110 |
| 4160 | Limoges bisque swivelhead doll having painting facial features with fixed blue paperweight eyes and open mouth showing teeth on a composition body, marked Limoges, France, 22'' | 325 |
| 4161 | German bisque socket head doll having painting facial features, brown sleep eyes, open mouth showing 4 teeth, composition jointed body, marked Queen Louise, Germany 100, 22 1/2'' | 110 |
| 4162 | Armand Marrseille bisque socket head doll with painted facial details, blue sleep eyes, open mouth revealing 4 teeth, on a jointed compostition body, marked made in Germany 390 AM, 22'', loss to paint on eyelids | 100 |
| 4163 | (lot of 2) Armand Marrseille bisque head with shoulder plate doll with painted facial details, brown sleep eyes, open mouth revealing 4 teeth, leather body with bisque hands, marked Floradora AM made in Germany, 19'', minor losses to fingers; together with bisque head and shoulder plate doll, painted facial features, round sleep eyes, open mouth showing 4 teeth on jointed leather body with bisque hands, marked Columbia, 21'', losses to fingers | 60 |
| 4164 | German bisque head and shoulder plate doll with painted facial features, blue fixed paperweight eyes, open mouth showing four teeth on handmade cloth body with bisque hands marked Germany, 21'' | 300 |
| 4170 | (lot of 2) Armand Marseille bisque swivel head doll having painted facial features with brown sleep eyes and open mouth showing teeth on a composition ball-jointed body, 16 1/2'', losses to teeth and paint on eyelid; Armand Marseille bisque socket head doll with molded and painted eyebrows, fixed blue eyes, open mouth revealing 4 teeth on ball jointed composition body, circa 1915, marked made in Germany Armand Marseille DRGM 248/1 390n, 24'', back of head repaired | 150 |
| 4172 | (lot of 2) Horseshoe bisque shoulder plate doll with set brown eyes, painted features, open mouth showing 5 teeth, kid body, cloth legs and feet, bisque hands, marked Hch, 22'', face and head repaired, torn left arm; Armand Marseille bisque head doll on kid body with bisque hands having fixed brown sleep eyes with painted features and open mouth revealing several teeth, marked Armand Marseille Germany, 24'', face repaired | 25 |
| 4173 | German bisque head and shoulder plate doll with cloth body and bisque hands, mouth open with teeth showing, blue paper weight sleep eyes, marked Mabel 3, 26'', torn body | 130 |
| 4174 | Madam Hendren's ''Life-Line Doll'', molded composition head having painted hair and facial features including blue eyes on cloth body, open mouth possibly for bottle, 22'' | 20 |
| 4175 | (lot of 2) 1930's boudoir doll with a painted composition head and shoulder on a cloth body having composition limbs, 24''; together with a boudoir doll with compostion head and shoulder plate having a cloth body, 25'' | 60 |
| 4176 | Steiff style mohair stuffed bear with a tear on the right foot, 22'' | 225 |
| 4177 | Molded compostion head and feet standing doll with painted wooden body having losses to right hand, 21'' | 225 |
| 4178 | All bisque googly-eyed doll jointed at shoulder and hips with molded shoes and socks having mohair wig and glass eyes impish grin | 325 |
| 4179 | Victorian china head doll on a cloth body with porcelain hands and porcelain feet painted to look like boots, 19'', chip in the hair | 250 |
| 4180 | (lot of 2) Victorian china head dolls with molded and painted black hair, porcelain hands and feet on cloth bodies, 10'', minor losses to single foot on one | 175 |
| 4181 | (lot of 2) Wax-over dolls first doll having brown glass eyes, with cloth body and composition arms and legs, 22''; the second having blue glass eyes and all cloth body, 16'' | 110 |
| 4182 | (lot of 2) German bisque head doll with composition body having blue sleep eyes and painted facial features including open mouth with two teeth showing, marked Heubach 250-9/10 Koppelsdorf, 13'', damage to composition; together with compostition head and shoulder plate doll having cloth body and kid arms and legs, painted facial features and porcelain hands, 17'', loss of arm | 25 |
| 4183 | One bag containing assorted Victorian doll clothing | 110 |
| 4184 | Chinese sculpted rug, floral pattern on a pink ground, 9'1'' x 6' | 25 |
| 4185 | Chinese two-piece clothing cabinet, the upper section with hinged double doors opening to a row of two small interior drawers, the lower section with a row of two narrow drawers above a pair of hinged double doors above a pierced apron with scrolls, spindles and disks, the doors and drawers with plain raised panels within grooved framework, with removable stiles, overall: 84.25''h(top 45''h/bottom 39.25''h) x 43.25''w x 21.25''d | 200 |
| 4186 | Indonesian style bronze figure of the Buddha, standing in monastic robes with a short stole over his left shoulder, the sensitive face with gentle features framed by coiffure of short curls (extensive corrosion, losses), 44.5''h | 400 |
| 4188 | Japanese two-section paulownia wood Kannonbiraki isho-dansu (clothing chest), the upper part with the characteristic hinged double doors with extensive black iron metalwork and full moon lock plate opening to a stack of two drawers, the lower section with a stack of two locking drawers, the lower flanked by a locking compartment with further elaborate iron fittings that conceal a stack of two small drawers, 42.5''h x 35''w x 16''d | 950 |
| 4189 | Pair of Chinese carved wooden fu-lions, each seated on a rectangular plinth with head turned and mouth open to reveal a loose bead, 10''h | 30 |
| 4190 | Chinese gilt and black lacquered mirror box, of rectangular form with the hinged top opening to reveal a mirror, the front with a stack of three small drawers, 15''h [with mirror upright] | 50 |
| 4191 | Chinese red painted wooden side table, the rectangular top with up-swept ends and with a row of three drawers painted with blossoms bracketed by foliate-shaped spandrels, with a shaped apron and resting on straight fluted supports, 37.25''h x 66''w x 14.5''d | 250 |
| 4192 | Chinese polychrome enamel painted porcelain urn (now mounted as a lamp), the globular body and low fitted lid decorated overall with stylized lotus blossoms amid scrolling leafy tendrils on a dark blue ground, 12.5'' [urn only] | 45 |
| 4193 | Japanese studio pottery vase, in the style of the 1950's, the egg-shaped body with horizontal ribs and decorated to either side with abstract depictions of birds and fish in black and pink on a cream ground, the base signed 'Tadashi' in Japanese, 8.5''h | 70 |
| 4194 | Chinese polychrome enamel decorated vase (now mounted as a lamp), the ovoid body with stylized phoenix roundels amid blossoming leafy tendrils, a cloud collar on the shoulder, with carved reticulated wooden cover and stand, 15'' [with cover and stand]; Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 200 |
| 4195 | Chinese export camphor wood blanket chest, of rectangular shape with oak stand, with brass lock plate and fittings, interior till, 16.5''h x 34''w x 17''d [overall] | 90 |
| 4196 | Japanese two-section paulownia wood Kannonbiraki isho-dansu (clothing chest), the upper part with the characteristic hinged double doors with extensive black iron metalwork and full moon lock plate opening to a stack of two drawers, the lower section with a stack of two locking drawers, the lower flanked by a locking compartment with further elaborate iron fittings that conceal a stack of two small drawers, with warabite iron pulls, 40.5''h x 37''w x 16.5''d | 1100 |
| 4197 | (lot of 2) Chinese red lacquered small cabinet and mahjong set, the first with a single drawer above hinged double doors, with gilt and black painted bird-and-flower design, the mahjong case similarly decorated, cabinet: 23.75''h x 15.75''w x 12.5''d | 130 |
| 4198 | Chinese pattern Karastan 8'9'' x 12'' | 25 |
| 4199 | Enameled cast iron coal parlor stove, 34''h x 14''w x 14''d | 150 |
| 4200 | Chinese two tier table with canted base, 30.5''h x 30''w x 15''d | 90 |
| 4201 | Brass and onyx base floor lamp, 62.5''h | 70 |
| 4202 | Japanese mixed wood small cabinet, the right with a small hinged wooden door above with a compartment fronted by a hinged door with an inset fabric panel featuring a book, a larger fabric panel of similar design on the hinged door to the left, all above a row of two drawers; 21.5''h x 18''w x 11''d | 110 |
| 4203 | Hammered metal and glass hexagonal display case marked ''Simancas, Mexico'' 73''h x 23''w x 23''d | 60 |
| 4206 | Blue and white Chinese porcelain teapot form vessel having brass handle; 21''h | 130 |
| 4207 | Chinese molded white vasiform lamp, fashioned as a carved and incised white lacquer vase with figures in a lush landscape between wide bands of blossoming flowers, the shade applied with silk embroidered panels, 26''h [overall] | 30 |
| 4208 | Chinese export camphor blanket chest with brass hardware, 19''h x 40''w x 20''d | 250 |
| 4209 | Chinese small hardwood rectangular cabinet, with a pair of side-by-side hinged double doors framed by beaded edges repeated on the straight supports, 26.5''h x 42''w x 16.25''d | 110 |
| 4211 | Aluminum modern interwoven sculpture, signed indistinctly (Van Yeal?), 18.5''h | 200 |
| 4212 | Chinese copper-alloy figure of Guanyin, depicted in one of his esoteric manifestions with four arms and seated in a pose of meditation on a lotus pedestal, the well-cast face framed by an elaborate diadem partially obscuring a small figure of Amitabha Buddha fronting the tall chignon, 11.5''h | 80 |
| 4213 | Japanese Kyoto-style long wood hibachi (naga-hibachi), Meiji/Taisho period, of keyaki (zelkova) wood with a thick overhanging top framing the recessed copper-lined rectangular compartment and a small covered side compartment, two small drawers with iron warabite-style pulls across the bottom, 18''H X 42.25''w x 24.75''d | 325 |
| 4215 | Pair of Chinese small hardwood apothecary cabinets, each with three stacks of five drawers over a small pair of hinged doors above a row of two drawers, all resting on cabriole shaped supports joined by bottom stretchers, 36''h x 24.5''w x 10.5''d | 120 |
| 4216 | Mexican reticulated metal and glass altar, red velvet lined jewelry box having brass mounts; 10''h x 16''w x 8''d | 110 |
| 4217 | Woven three-tiered food basket having Chinese characters woven on lid, double carrying handle; 26:h x 17.5''dia. | 110 |
| 4218 | Ebonized Indian wooden trunk on stand with intricate carved design depicting flora and fauna; 27.5''h x 40''w x 21''d | 100 |
| 4219 | Vintage large format studio camera on stand, with Ilexpo lens board and plate inscribed: '' Ilex Optical Co. Rochester, NY'', 65''h x 2l9''w x 34''d | 200 |
| 4220 | Asian simulated bronze figure of a bodhisattva, based on a sixth century Japanese/Korean prototype, the slender figure standing in princely raiment with one hand holding an amphora, the other in the 'fear not' gesture (numerous chips and losses), 47''h | 130 |
| 4221 | Red lacquered hide bound wine chest with polychrome design and brass hardware, 23''h x 21''w x 19''d | 110 |
| 4222 | Chinese carved wood figure of the Buddha, standing in red painted monastic robe with his hand in the abhaya and varada mudras, the smiling face framed by a coiffure of short black curls (wear), 44''h | 175 |
| 4223 | Carved Victorian piano or organ stool upholstered in needlepoint with fringe, 21''h | 90 |
| 4224 | Chinese carved hardwood cabinet, with a pair of hinged double doors carved with warrior figures or Guanyin amid cloud scrolls, all set within faux-bamboo borders repeated on the corners, the sides with flowering sprays, all above a pierce dragon-form apron, with claw terminals, 66.5''h | 350 |
| 4225 | Chinese two-piece clothing cabinet, the upper section with hinged double doors with open latticework above a row of two drawers, the lower section with a pair of hinged double doors with plain raised panels within grooved framework and opening to a row of two drawers, with removable stiles, overall: 82''h (top 46''h/bottom 36''h) x 37''w x 19''d | 350 |
| 4226 | Chinese wood kitchen cabinet, of tall retangular form with a pair of hinged doors with upper pierce latticewood panels and above a row of two drawers, the lower section with two sets of sliding doors, each pierce with latticework of different design, 70.5''h x 22.5''w x 20''d | 100 |
| 4228 | Early 20th century working duck decoy, original paint, 7.5''h x 14.5''w x 5.5''d | 150 |
| 4229 | Japanese three-section stacking kiriwood chest for clothing, Taisho/early Showa period, the top section with a pair of sliding doors above a row of three small drawers, the middle and bottom sections each composed of a stack of three long drawers, with warabite-style pulls, 61.25''h x 34.25''w x 15''d | 275 |
| 4230 | (lot of 2) Duck decoys, larger duck signed Tom Taber and Hersey Kyle Jr. with inset medallion '' Woodenware Inc. Tom Taber Herseyle, Jr. Medallion 1983 Series'', smaller male mallard duck signed Tom Taber ''80'', largest 7.5''h x 16.5''w x 7''d | 175 |
| 4232 | Art Deco style fan mirror, 19''h x 27.5''w | 110 |
| 4234 | Edwardian two piece parlor suite, circa 1910, settee: 34.5''h x 41''w x 23.5''d and armchair: 35.5''h x 24.5''w x 23.5''d, carved griffin mask and foliate crest rails continuing to bowed arms terminating in dolphin heads, the whole rising on claw feet | 325 |
| 4235 | Art Deco Zenith floor model tube radio, 42''h x 23''w x 15''d | 325 |
| 4236 | Pair of framed frosted glass Art Deco style sunburst decorative panels, 22'' x 40'' overall | 20 |
| 4237 | Mahogany library steps, 32.5''h x 9''w x 20''d | 90 |
| 4238 | (lot of 3) Art deco table lamps with frosted glass shades, pair of 2-light and a single light, largest 14.5''h | 90 |
| 4239 | Patinated bronze art deco style double globe shade figural lamp, ''Lady Olmpia'', 20th century, 28'' | 175 |
| 4240 | (Lot of 4) Birdseye maple bedroom suite, consiting of a 4 drawer dresser, 44''h x 34''w x 19''d; vanity with mirror, 65''h x 46''w x 19''d; nightstand 27''h x 15''w x 13''d and a chair | 450 |
| 4242 | Pair of monumental 20th century Sevres style urns with gilt metal mounts and hand accented cameos; 38''h | 450 |
| 4243 | (lot of 5) Art deco bedroom set consisting of a vanity with rectangular mirror, 65''h x 44''w x 18''d, chair 31''h x 17''w x 16''d, chest of 5 drawers 47''h x 34''w x 19''d, low 4 drawer chest with round mirror 66''h x 45''w x 21''d and a bed | 425 |
| 4244 | Paul Bellardo (America, born 1924) for Austin Products. Double headed stone sculpture mounted on wooden base signed and dated 1980 12.5'' high | 40 |
| 4245 | Pair of patinated bronze retrievers, on marble bases, after Barye, 6.75''h | 130 |
| 4246 | Cast bronze, Wells Fargo ''Lightning Line'' Rider, on wood base, 9.5''h with Wells Fargo 1983 copyright | 140 |
| 4247 | Cast bronze, ''Eagle Taking a Fish'', signed Kim B. '85, mounted on a wood base, 10.5''h | 100 |
| 4248 | Cast metal sculpture ''End of the Trail'', inscribed ''N E C S 1983 C R I'', mounted on a driftwood base, 11''h | 90 |
| 4249 | Contemporary blue art glass vase, mounted as a lamp, 12''h | 50 |
| 4250 | Patinated bronze whimsical horse on marble base, 20''h x 23''w x 6''d | 300 |
| 4252 | Birdseye maple sleigh bed, 45.5''h x 57:w x 82''d | 175 |
| 4254 | Sculpture driftwood on wooden pedestal by Denninger, 52.5''h including base | 100 |
| 4256 | Brass and redwood sculptural wall fountain with pump, 28''h | 20 |
| 4257 | Chinese massive blue and white baluster vase, the tapering body with two large reserves of landscape with figures reserved on a ground of flowers amid scrolling leafy tendrils, the waisted neck decorated en suite, 6.5''h x 13.5'' dia. | 50 |
| 4259 | Pair of Gary Hutton designer sky-blue massive sofas, 48.5''h x 96''w x 40''d | 375 |
| 4260 | Blue painted Mexican Provincial kitchen cupboard, 65''h x 38''w x 26''d | 120 |
| 4261 | Art Deco double door cabinet, 54''h x 36''w x 17''d | 25 |
| 4263 | Brass torchiere floor lamp with a green glass shade, 68.5''h | 25 |
| 4264 | (lot of 3) Art Deco blue mirror top tables with curving tops, 2 side tables and a cocktail table, side tables measure 21''h x 25''w x 12.5''d and 26''h x 18.5''w x 18.5''d, cocktail table 17''h x 33''w x 17''d | 150 |
| 4265 | Art Deco aluminum and lucite footed bowl, 6''h x 13.5''dia. with ''B'' initial | 20 |
| 4266 | Art Deco style rounded arm sofa upholstered in ivory colored fabric, 28''h x 80''w x 38''d | 20 |
| 4267 | (lot of 2) Art deco ice buckets, largest 6.5''h x 8'' dia. | 20 |
| 4268 | Art Deco style square blue mirror-top table, 28.5''h x 17.5''w x 17.5''d | 60 |
| 4271 | Spark enameled stove with 4 gas burners, 31''h x 23''w x 24''d | 50 |
| 4272 | White painted cast iron plant stand with paw base, 32''h x 20''w x 20''d | 90 |
| 4274 | Art Deco style steel spring stand, 17''h x 11''w x 7''d | 20 |
| 4275 | Pair of Art Deco upholstered club chairs in sky blue fabric with beige piping, 29.5''h x 35''w x 25''d | 400 |
| 4276 | (lot of 6) Art Deco martini set including shaker, 4 goblets and tray | 50 |
| 4277 | Wall mounted Art Deco coat rack, 10''h x 39''w x 10.5''d | 80 |
| 4278 | Blue painted Mexican chest on stand, monogrammed 'GRT', 36''h x 28.5''w x 16''d | 60 |
| 4279 | Northwest Persian, 5' x 6'5'' | 375 |
| 4280 | Pine drop leaf table, 19th century, with traces of red pigment, 29''h x 48''w x 43''d extended | 70 |
| 4281 | (lot of 3) Mexican painted folk art chairs, the largest 32''h x 13.5''w x 12.5''d | 25 |
| 4282 | Mexican folk art sculpture of the Crucifixion in polychrome wood, 32''h | 90 |
| 4283 | Pair of painted, turned wooden candlesticks, 25.5''h | 40 |
| 4284 | Slant lid red painted trunk, 35''h x 43''w x 22''d | 30 |
| 4285 | Small wood painted shrine with Christ on the cross, flower motif surrounding, 18.5''h x 15''w x 6''d | 130 |
| 4286 | Brass with green onyx accent floor lamp, 60''h | 80 |
| 4287 | Pair of modern stainless and frosted lucite trays on stands, 26''h x 32''w x 22''d | 150 |
| 4288 | Contemporary custom made art deco style bar, in eucalyptus design by Johnny Grey Architects built by Woodmaster's for San Francisco Estate Shows, could be used in commercial and residential applications, two open spaces are ready for standard wine cooler and ice maker, 43''h x 119.5''w x 22.5''d | 250 |
| 4289 | (lot of 55) Manhattan ribbed glassware including 8 dinner plates, 18 bread plates, 4 consommes, 7 tea or coffee cups, 8 tumblers, a small pitcher, 2 double nozzle candlesticks, 2 vases, a small round cheese tray, a small fruit serving bowl, a creamer and open sugar, and a salad serving bowl | 200 |
| 4290 | Bronze sleeping snail girl with Swiss foundry mark, in the style of Anne Geddes, 23''l | 375 |
| 4291 | Country pine water bucket bench in robin's egg blue milk paint | 45 |
| 4292 | Pair of rustic painted country three-light candelabras, electrified, 34''h | 60 |
| 4293 | Rustic painted country stepback bookcase, 72''h x 35''w x 20''d | 120 |
| 4295 | Rustic country table with traces of blue pigment, having a single drawer, 31''h x 52''w x 34''d | 130 |
| 4296 | Queen Elizabeth II Coronation rug, machine made wool in royal blue with cobalt blue border, 12' x 8'11'' | 60 |
| 4297 | Persian Tabriz, 9'8'' x 13'6'' | 110 |
| 4298 | Robin's egg blue painted country chest, 11''h x 36''w x 15.5''d | 30 |
| 4299 | Rustic forest green painted box with handles and the word ''Carriages'' stenciled on the side, 6.5''h x 19.5''w x 11.5''d and tray with handle | 20 |
| 4300 | Red painted rustic country crib with 2 slanted sides and handles in ends, 12''h x 29.5''w x 18''d | 20 |
| 4301 | Rustic country folk art etagere with saw tooth elements with traces of blue and green pigment, 71''h x 41''w x 22''d | 200 |
| 4303 | Small Mexican wood painted shrine with Christ on the cross, flower motif surrounding, 19.5''h x 14.5''w x 7''d | 80 |
| 4304 | (lot of 3) Woven wool serapes including 1 with red stripes and 1 natural color with black accents | 80 |
| 4307 | Small wood painted shrine with Christ on the cross, 19.5''h x 13.5''w x 6''d | 60 |
| 4308 | Small wood painted shrine to celebrate Dia de Los Muertos, in festive colours, 15.5''h x 9''w x 5.5''d | 130 |
| 4309 | (lot of 3) British Victorian stools, yew, chestnut and mixed wood with turned legs, one with traces of red paint, the other traces of green, 21'' and 20'' high | 200 |
| 4310 | Rustic country plant stand red painted pine 36''h x 54''w x 16''d | 30 |
| 4311 | Rustic green painted country saw box, 9.5''h x 34''w x 9''d | 30 |
| 4312 | Hall tree, 67.5''h x 12''w x 12''d | 70 |
| 4313 | Rustic country work table, 32.5''h x 39''w x 23''d | 120 |
| 4314 | (lot of 2) Painted rustic column form candlesticks, 24''h and 19''h | 35 |
| 4315 | (lot of 4) Victorian Cottage pine bedroom suite consisting of a bed with landscape and floral painted insets in headboard 66''h x 56''w x 79''d, bedside chest with towel bar 45''h x 30''w x 15''d, small table 28''h x 22''w x 16''d, and chest of three drawers with adjustable mirror 77''h x 38.5''w x 17''d | 225 |
| 4316 | Kidney shaped dressing table with 2 drawers, on cabriole legs terminating in pad feet, painted greyviolet, 25.5''h x 36'W X 19''D | 50 |
| 4317 | Wire birdcage, 31.5''h x 21''w x 17''d | 110 |
| 4318 | Rustic country painted chest on stand with traces of red and mustard paint, 31.5''h x 32''w x 15''d | 150 |
| 4319 | Rustic country painted chest on stand with traces of green and blue paint, 36''h x 31''w x 16''d | 50 |
| 4320 | (lot of 86) Fiestaware in various colors including 5 large round service plates, 3 large oval service plates, one large footed bowl, 12 dinner plates, 6 soup bowls, 6 salad plates, 6 bread plates, 6 cups and 6 saucers, 6 fruit bowls, creamer and covered sugarbowl, covered small caserole, small bud vase, oversized salt shakers, and small blue globular footed candlestand, (lot of 11) Fiestaware in various colors including a large bowl, 2 smaller bowls, butter dish, butter knife, and 6 juice glasses | 400 |
| 4321 | Rustic country desk with one drawer and traces of green paint on base, 28.5''h x 48''w x 30.5''d | 140 |
| 4322 | (Lot of 5) three Rustic country non-matching painted ladder back chairs, largest 35''h x 16''w x 16''d and pair of painted rush seat ladder back chairs, with bouquet of roses spilling from footed bowl, 34''h x 18''w x 18''d | 60 |
| 4324 | Rustic child's desk, 27''h x 26''w x 16.5''d | 90 |
| 4326 | Painted folk altar with Virgin Mary figure, 22.5''h x 16''w x 7''d | 90 |
| 4328 | (lot of 2) Painted folk art chair with carved horse in back and the words ''Saluda Mexico'' 30.5''h x 15''w x 14''d., together with a painted folk art youth chair with carved bird in back and the words Salu Da El Nate'' 27''h x 12.5''w x 11''d | 25 |
| 4329 | Blue painted single drawer rustic worktable, late 19th century, 29''h x 24.5''w x 16.5''d | 100 |
| 4330 | Bright green painted wooden bench, 40''h x 80''w x 20''d | 60 |
| 4331 | Small wood painted shrine with Christ on the cross, 32.5''h x 19''w x 9.5''d | 70 |
| 4332 | Curio cabinet with Moroccan style geometric polychrome decoration, red interior, exterior painted green with simplified gold floral pattern, and red painted trim with raised gold paint dots, 56''h x 21''w x 16''d (key in office) | 110 |
| 4334 | Hand made signed wood pitchfork, date '27 | 40 |
| 4335 | Blue painted Illinois metal wheel barrel, 19th century, 77''l | 120 |
| 4336 | Fine Victorian cast iron garden bench in fern motif with grape clusters, 34''h x 64''w | 600 |
| 4338 | Victorian cast iron cafe table in floral classical motif, 26''h x 27''w | 225 |
| 4339 | Cast iron base cafe table with woven rattan top, 30''h x 28''w with glass top | 90 |
| 4341 | Pennsylvania deacon's bench, early 19th century with traces of original decoration, spindle back with plank seat, 31''h x 68''w x 20''d lowered base (seat height 14'') | 130 |
| 4342 | Pair of French two-light gilt brass vasiform floor candelabra mounted with porcelain flowers, 70.5''h, one incomplete | 20 |
| 4343 | WWII solid brass Navy gun sight telescope with adjustable mirror, with inscribed plate: ''US NAVY EUR. OF ORD. TELESCOPE MK 50-J NO 511 INSP RBBA US NAVAL GUN FACTORY WASHINGTON DC 1943''. Mounted on mahogany base, 22''l | 425 |
| 4344 | Vintage Acorn 5-cent gumball machine, 16''h, repainted with Lion's Club decal | 100 |
| 4345 | Vintage Acorn 5-cent gumball machine, 14''h, repainted | 80 |
| 4346 | Berkeley art deco 1-cent slot machine with baked enamel case and backlit interior, ''Mystery Payouts'', 27.5''h, losses to trim, currently operating | 700 |
| 4347 | Aluminum case 5-cent B & S gumball machine - Patent No. D152883, 10.5''h | 90 |
| 4348 | Pulver Chewing Gum One Cent dispenser with composite clown figure, ''One Cent Delivers a Tasty Chew'' with added label: ''This machine will not work with white metal pennies distributed during the war'' | 300 |
| 4349 | Pair of monumental seated roaring lions in verde patina, 20th century, 49''h x 25''w x 42''d | 3000 |
| 4351 | Large recumbent bronze figure of a horse, 20th century, 37.5''h x 69''w x 47''d | 1500 |
| 4353 | Middle Eastern copper brazier having domed reticulated top, on pedestal base with ring handles, 33''h | 130 |
| 4355 | Framed oil on canvas, Untitled: Blue Archway, by Walter Snelgrove (Californian, 1924 - ), unsigned, overall: 42.5''h x 82''w. | 250 |
| 4356 | Framed oil on canvas, Meadow (1984) by Walter Snelgrove (Californian, 1924 - ), unsigned, overall: 42.5''h x 82''w. | 475 |
| 4361 | (Lot of 2) Framed giclee prints, ''American Hearts II'' and ''Swinging,'' by Alfred Gockel, contemporary, signed lower right, numbered lower left, overall: 29''h x 29''w each | 275 |
| 4362 | (Lot of 2) Framed offset prints by Lucelle Raad, contemporary: ''Teed Off'' and ''Little Putter,'' pencil signed and titled lower right, numbered lower left, overall: 21.25''h x 19.25''w | 60 |
| 4363 | (Lot of 2) Framed prints by Francois Ledan (Fanch), Poolside Scene and Interior, pencil signed lower right, numbered lower left, overall: largest 37''h x 42.25''w | 80 |
| 4364 | (Lot of 2) Framed offset prints, ''Rite of Spring'' and ''Cappriccio,'' signed indistinctly lower right, numbered lower left, overall: largest 26''h x 20''w | 30 |
| 4365 | (Lot of 2) Framed serigraphs, Town Scenes, by Anatole Krasnyansky, contemporary, each pen signed lower left, numbered lower right, overall: largest 28.75''h x 27.5''w | 25 |
| 4366 | (Lot of 2) Framed seriolithographs, Man with Woman Playing Guitar, by Zamy Steynovitz, plate signed lower right, contemporary, overall: each 14''h x 12''w | 20 |
| 4367 | (Lot of 2) Framed serigraphs, Portraits of Woman, by Linda Le Kniff, contemporary, pen signed lower right, one numbered lower left, overall: largest 48.5''h x 21''w | 110 |
| 4368 | (Lot of 2) Framed lithographs, ''Harmonie Orange'' and ''Blue,'' by Emile Bellet, contemporary, pencil signed lower right, numbered lower left, overall: largest 27''h x 24''w | 250 |
| 4369 | (Lot of 2) Framed serigraphs, Woman in Armchair and ''Monique and Monie,'' by Itzchak Tarkay (Yugoslavian/Israeli, b.1935), pencil signed lower right, numbered lower left, overall: largest 36''h x 51.5''w | 425 |
| 4370 | (Lot of 2) Framed serigraphs, ''Peaceful Thoughts,'' by Patricia, contemporary, pencil signed lower right, numbered lower left, overall: each 17.5''h x 15.5''w | 25 |
| 4371 | (Lot of 2) Framed serigraphs, ''Moonlight Dancing,'' by Zamy Steynovitz, contemporary, pencil signed lower right, numbered lower left, overall: largest 24''h x 28.75''w | 50 |
| 4372 | (Lot of 2) Framed serigraphs, ''Heavenly Music Sessions,'' by Anatole Krasnyansky, contemporary, pen signed lower left, numbered lower right, overall: largest 38''h x 47''w | 70 |
| 4373 | (Lot of 2) Framed serigraphs, ''Radiant Glow'' and ''Bougainvillea Feast,'' by Igor Medvedev, pen signed lower right, overall: largest 46''h x 38''w | 60 |
| 4375 | Framed oil on linen, ''Lipzanner en Lavade,'' 1960, by Lloyd M. Strathearn, unsigned, label affixed verso, overall: 37''h x 31.25''w | 60 |
| 4376 | Framed lithograph, Woman in Chair, by Itzchak Tarkay (Yugoslavian/Israeli, b.1935), plate signed lower right, overall: 30.25''h x 26.25''w | 80 |
| 4377 | Framed serigraph, Woman with Cello, by Dorit Levi, contemporary, pen signed lower right, numbered lower left, overall: 40''h x 23''w | 50 |
| 4378 | Framed serigraph, ''La Promise,'' by Le Kniff, pencil signed lower right, numbered 309/350 lower right, overall: 26''h x 26''w | 80 |
| 4379 | (Lot of 2) Framed prints, ''Printing'' and ''Illuminating,'' after George Barrie, overall: each 24''h x 17.5''w | 25 |
| 4380 | Framed oil on canvas, ''Arrangement with Celery'' by Kennard M. Harris (California, 1974 - ), monogrammed center right, overall: 25.5''h x 32''w. | 650 |
| 4381 | Framed etching, Bird Head Man Facing Front, by Leonard Baskin (American, 1922-2000), pencil signed lower right, plate signed lower left, numbered 267/300, plate: 17.5''h x 12''w, overall: 30.5''h x 25''w | 50 |
| 4382 | Framed serigraph, ''Dreams of Peace,'' by Rina Sutzkever, contemporary, pen signed lower left, numbered lower right, overall: 23.5''h x 28.5''w | 275 |
| 4383 | (Lot of 2) Framed hand-embellished prints, Woman in Profile, by Peter Max (German/American, b. 1937), unsigned, overall: largest 41.5''h x 48''w | 2250 |
| 4384 | Framed lithograph, River Cottage, signed indistinctly lower right, numbered 227/750 lower left, overall: 17.5''h x 21.5''w | 15 |
| 4385 | Framed serigraph, ''Hommage to the Masters,'' by Astahov, signed lower left, numbered 179/495 lower right, overall: 19''h x 22.5''w | 100 |
| 4386 | Framed offset print, Lords of the Ring, by Barry Leighton-Jones, pencil signed lower right, inscribed ''AP'' lower left, overall: 39.5''h x 32.5''w | 30 |
| 4387 | Framed lithograph, Portrait, by Patrick Nagel (Californian, 1945-1984), plate signed lower right, overall: 42''h x 32.5''w | 90 |
| 4388 | Framed lithograph, ''The Museum Guard,'' by Arnold Mesches (American, b. 1923), pencil signed lower right '67 , numbered 17/47 lower left, overall: 37''h x 26.25''w | 110 |
| 4389 | (Lot of 2) Framed serigraphs, ''Koi'' (1982) and ''Tsuru'' (1981), pencil signed Miyoko Tsubanoto, dated lower right, numbered lower left and right, overall: each 30''h x 24.25''w | 60 |
| 4390 | Unframed oil on canvas , ''Foot, Palms, and Crypt'' 1979 Grissaile, by Martin Facey (Californian, 1948 - ), signed and inscribed verso, overall: 72''h x 54''w. | 60 |
| 4391 | Framed oil on paper, View of Provence, by Rene Couturier (Dutch, b. 1933), signed lower right, overall: 46''h x 38''w | 850 |
| 4392 | Framed oil on canvas, ''Barque au Sec,'' by Rene Couturier (Dutch, b. 1933), signed lower right, titled verso, overall: 29''h x 33''w | 800 |
| 4393 | Framed oil on canvas, ''Epaves sur la Plage,'' by Rene Couturier (Dutch, b. 1933), signed lower right, signed and titled verso, overall: 39''h x 33''w | 650 |
| 4394 | Framed oil on canvas, ''Vignes au Village,'' by Rene Couturier (Dutch, b. 1933), signed lower left, overall: 39.5''h x 46''w | 800 |
| 4395 | Framed oil on canvas, ''Femme sur la Plage,'' by Rene Couturier (Dutch, b. 1933), signed lower left, signed and titled verso, overall: 30''h x 34.5''w | 1000 |
| 4396 | Framed gouache on paper, Paysage, 1977, by Rene Couturier (Dutch, b. 1933), signed and dated lower right, overall: 31.5''h x 39''w | 800 |
| 4397 | Framed gouache on paper, Nude, by Rene Couturier (Dutch, b. 1933), signed lower right, overall: 34.5''h x 26.25''w | 850 |
| 4398 | Framed oil on canvas, Le Pot Rouge, by Rene Couturier (Dutch, b. 1933), signed lower left, overall: 47.5''h x 41''w | 2500 |
| 4399 | Framed gouache on paper, Red Nude, by Rene Couturier (Dutch, b. 1933), signed lower right, overall: 31''h x 25.75''w | 650 |
| 4400 | Framed gouache on paper, Nude, by Rene Couturier (Dutch, b. 1933), signed lower right, overall: 26''h x 20.5''w | 300 |
| 4401 | Unframed oil on canvas, ''Cows in a Meadow,'' by Barry Euren (Californian, Contemporary), signed and dated 2007 lower right, titled verso, overall: 36''h x 48''w. Note: COA accompanies the lot | 50 |
| 4402 | Unframed oil on canvas, ''High Sierras,'' by Barry Euren (Californian, Contemporary), signed and dated 2007 lower right, titled verso, overall: 24''h x 30''w. Note: COA accompanies the lot | 70 |
| 4403 | Unframed oil on canvas, ''El Capitan,'' by Barry Euren, (Californian, Contemporary), signed lower left, overall: 16''h x 20''w. Certificate of authentication included | 50 |
| 4404 | Unframed oil on canvas, ''Nightscape, Yosemite Valley,'' by Barry Euren (Californian, Contemporary), signed lower left, overall: 72''h x 48''w. Certificate of authentication included | 150 |
| 4406 | Framed oil on canvas, Sunset, Mt. Helen, by Albert Tolf (Californian, 1911-1996), signed lower right, overall: 36''h x 46''w | 225 |
| 4407 | Unframed oil canvas, Figures on the Coast, by Eva Sikorski (Californian, 1917-1990), signed lower left, overall: 24''h x 48''w | 175 |
| 4408 | Framed oil on canvas, ''Oh, Craps!'', signed and dated Janczuk 1970 lower right, overall: 23''h x 29''w | 60 |
| 4409 | Framed oil on canvasboard, Seascape, unsigned, contemporary, overall: 21''h x 27''w | 60 |
| 4410 | Framed oil on canvas, Ship on High Seas, signed Tom Thrall lower right, overall: 38''h x 26''w | 35 |
| 4411 | Framed pencil and watercolor, Figures at the Coast, unsigned, inscribed ''Foster'' on mat, various pencil inscriptions on wooden backing, including ''18 years July 15th 1862,'' sight: 6.5''h x 10''w, overall: 13''h x 15''w | 60 |
| 4412 | Framed oil on canvas, Lakeside Scene, by Virginia H. Davis Harsh (Californian, 1917-2000), signed lower right, overall: 25''h x 30.5''w | 20 |
| 4413 | (lot of 2) Framed mixed media diptych, Sailboats in Harbor, signed Strom lower right, each overall: 28''h x 22''w. | 50 |
| 4414 | Framed pastel, Coastal Scene, signed Frisch lower right, overall: 25.5''h x 13.5''w | 50 |
| 4415 | Framed lithograph, ''Evening Pears,'' by Joe Draegert (American, 1945-), pencil signed and dated '85 lower right, numbered 74/100 lower left, overall: 29''h x 37''w | 325 |
| 4416 | Framed crayon and charcoal on paper, Still Life with Apples and Books, signed indistinctly lower left, overall: 15''h x 18.5''w | 20 |
| 4417 | Framed oil on canvas, Coastal Scene, by Sydney Lemos (Californian, 1892-1944), signed lower right, sight: 20''h x 26''w, overall: 25''h x 31''w | 100 |
| 4418 | Framed oil on canvas, Rocks on Beach, after Franz Bischoff (Californian,1864-1929), overall: 28''h x 38''w | 325 |
| 4419 | Framed oil on canvas, Yellow Room, after Walter Gay (American, 1856-1937), unsigned, contemporary, overall: 26.75''h x 31''w | 325 |
| 4420 | Framed oil on canvas, Man with Turban, after John Singer Sargent (American, 1856-1925), unsigned, contemporary, overall: 28''h x 24''w | 90 |
| 4421 | Framed oil on canvas, Poppies, signed and dated 1951 Knut Froysaa (1919-1987 Norweigion ) lower right, overall: 28''h x 24''w | 300 |
| 4422 | Framed oil on canvas, Window in the Marienstrasse, after Adolph von Menzel (Polish/German, 1815-1905), unsigned, contemporary, overall: 28.5''h x 24.5''w | 225 |
| 4423 | Framed oil on canvas, Ming Vase, after F.C.B. Cadell (British, 1883-1937), unsigned, contemporary, overall: 23.5''h x 19.75''w | 90 |
| 4425 | Framed oil on canvas, Still Life with Kettle and Jug, after Emil Carlsen (Danish, 1853-1932), unsigned, contemporary, overall: 23''h x 26''w. | 70 |
| 4426 | Framed oil on canvas, Geranium on Table in Front of Window, after Edouard Vuillard (French, 1968-1940), unsigned, contemporary, overall: 33.5''h x 23.5''w | 375 |
| 4427 | Framed oil on canvas, Summer Blooms, after Louise Ellen Perman (British, 1854-1921), contemporary, unsigned, overall: 26''h x 21.75''. | 175 |
| 4428 | Framed oil on board, Fishing Boats, by Diego Banti (Italian, b.1924), signed lower left, overall: 24''h x 32''w | 30 |
| 4429 | Framed oil on canvas, Ships at Harbor, signed Rolay lower right, overall: 30''h x 24.5''w | 20 |
| 4430 | (Lot of 2) Framed oils on canvas, Landscapes, signed indistinctly ( Patrick M ?) lower right, overall: 19.25''h x 22.25''w | 80 |
| 4431 | Framed oil on canvas, Ethel M. Sterling Seattle (American Schooner), by Hans Skalagard (American, b. 1924), signed lower right, overall: 26.5''h x 32.35''w | 500 |
| 4432 | Framed oil on canvas, Boats on the Mediterranean, by Beca Rind (Californian/Israeli, 20th century), signed lower right, overall: 24''h x 32''w. | 80 |
| 4433 | Framed photograph, ''Harbor on Sunday,'' by Doctor Stanley R. Truman (American, 20th century), signed lower right, overall: 20''h x 14.25''w | 60 |
| 4434 | Framed etching with aquatint, View of Venice, by Ugo Baracco (Italian, b.1949), signed lower right, numbered 52/80, studio blind-stamp lower left, sheet: 11.75''h x 13.75''w, overall: 19.5''h x 22.5''w | 45 |
| 4435 | Unframed oil on canvas, Iguazu Falls (View from the Argentinian Side), by William Constable Adam (Californian, 1846-1931), signed lower left, overall: 73''h x 21''w | 275 |
| 4436 | Framed oil on board, Still Life with Cherries, unsigned, American 20th century, overall: 19.5''h x 28.5''w | 130 |
| 4437 | Framed oil on canvas, Cherries in a Basket, signed W. E. McElhering, American 20th century, overall: 20.5''h x 24.5''w | 325 |
| 4438 | Framed oil on canvas, Strawberries Wrapped in Newspaper, by Mazie E. Nicholl (Californian, 19th century), signed and dated M.E. Nicholl 1887 lower right, overall: 19.5''h x 27.5''w | 325 |
| 4439 | Framed oil on board, Fisherwoman, European School, inscribed indistinctly ( Karm....? ) and initialed ''V. H.'' lower right, sight: 13.5''h x 7.5''w, overall: 22.5''h x 16.5''w. | 250 |
| 4440 | (Lot of 2) Framed watercolors, Dutch Winter and Spring Scenes, signed J. Hofman and dated 1888 lower right, overall: each 18''h x 19''w. | 90 |
| 4441 | Framed oil on board, Lake Landscape, unsigned, late 19th century, framing label verso: Ernest Mitschke, picture framer and cabinet maker, (West Hartlepool), overall: 17'' x 22.5'' | 150 |
| 4442 | Framed watercolor, Hunting Dogs, signed A. Langlois lower right, sight: 18.5''h x 13''w, overall: 27''h x 21''w. | 100 |
| 4443 | Framed watercolor, River Landscape, by Charles Albert Burlingame (American, 1860-1930), signed and dated '92 lower right, sight: 17.5''h x 11.5''w, overall: 27''h x 21''w | 175 |
| 4444 | Framed watercolor, Forest Path at Sunset, signed C.R. Raymond lower right, American, 20th C, overall: 20''h x 31''w. | 100 |
| 4447 | Framed oil on canvas, View of Crater Lake, unsigned, American 20th C, overall: 21''h x 41''w. | 35 |
| 4448 | Framed oil on canvas, Figures in an Autumn Landscape, unsigned, American 19th/20th Century, overall: 24''h x 30''w. | 80 |
| 4450 | Framed oil on canvas, Coastal Landscape, signed H. Yoshizumi and dated 1954 lower right, overall: 25''h x 29''w. | 50 |
| 4451 | Framed oil on canvas, Winter Landscape, attributed to Malvin Marr Albright (Californian, 1897-1983), unsigned, overall: 23''h x 30.5''w. | 100 |
| 4453 | Framed oil on canvas, Eucalyptus Grove, by Henry L. Richter (Californian 1870-1960), signed H. Richter lower right, sight: 24.5''h x 29.5''w, overall: 32''h x 37''w. | 425 |
| 4454 | Framed hand-painted photograph, Mountain Landscape in Spring, signed Wordin and inscribed S.F. lower right, overall: 17''h x 14''w | 175 |
| 4455 | Framed oil on canvas, ''The Magic of Spring, Ortega,'' by Louise Leyden (Californian, 1898-1978), signed lower left, titled verso, overall: 20''h x 22''w | 140 |
| 4456 | Framed oil on canvas, Bucks County, signed Daniel M. Johnson and dated '32 lower left, overall: 22''h x 28''w | 60 |
| 4457 | Framed oil on canvas, Mountain River Landscape, by Albert Whitlock, American, Contemporary, overall: 24''h x 32''w | 800 |
| 4459 | Framed oil on canvas, Landscape with Pond, signed Hans Wagner lower right, overall: 28''h x 37''w. | 30 |
| 4460 | Framed oil on canvas, Landscape with Flowering Trees, signed Zelanis lower right, overall: 23''h x 27''w | 45 |
| 4461 | Unframed oil on canvas, ''Waterfall'' (#4), by Salvatore Giacona (Californian, contemporary), initialed and dated '95 lower right, inscribed verso, overall: 16''h x 28''w | 30 |
| 4462 | Framed oil on artist's board, Figure in a Landscape, signed indistinctly lower right [B. Oblasskom?], dated 1947 lower right, inscribed verso, overall: 20''h x 23''w | 140 |
| 4463 | Framed oil on canvasboard, Impressionistic Landscape, signed indistinctly lower right, overall: 19''h x 22''w | 110 |
| 4464 | Framed oil on canvas, Rural Landscape, signed and dated Heidi Rohrer 1986 lower right, overall: 21''h x 16''w | 25 |
| 4465 | Framed oil on board, House with Surreal Landscape, signed A. Malo lower right, overall: 16.5''h x 18''w | 130 |
| 4466 | Framed serigraph, Daybreak, by Itzchak Tarkay (Yugoslavian/Israeli, b.1935), pencil signed lower right, numbered ''EA 15/45'' lower left, overall: 25''h x 23''w | 100 |
| 4467 | Framed oil on board, Trees with Distant Hills, by Oscar V. Galgiani (Californian 1903-1994), signed and dated 1951 lower left, overall: 20''h x 17''w | 250 |
| 4468 | Framed hand-colored aquatint, ''Fox Hunting, Plate 2, The Find'' (1852-), from ''Fores's National Sports,'' after John Frederick Herring Jr. (British, 1815-1907), overall: 37''h x 55''w | 475 |
| 4469 | Framed oil on canvas, Ships in the Harbor, signed indistinctly lower right (I.H. P_rry, possibly Ian Parry), overall: 32''h x 56''w | 130 |
| 4470 | Framed oil on canvas, Parisian Scene, signed indistinctly lower right, overall: 31''h x 55''w | 80 |
| 4471 | Framed mixed media, Kimono Design, unsigned, Contemporary, overall: 24''h x 50''w | 25 |
| 4472 | Framed oil on board, Figures in a Stark Mountain Landscape, signed indistinctly (K. ouse?) lower right, overall: 17''h x 21''w | 110 |
| 4473 | Framed oil on canvas, Abstract Still Life, unsigned, inscribed verso: ''E.S. Gordon, Orinda, CA,'' overall: 22''h x 26''w | 30 |
| 4474 | Frame oil on canvas, Winter Landscape, signed and dated G. Mehlhorn '36 lower right, overall: 19''h x 23''w | 60 |
| 4475 | Framed oil on canvas, Meadow Landscape, signed C. Lyne lower left, overall: 29''h x 42''w | 20 |
| 4476 | Framed offset print, ''Bluefish Cove, Point Lobos, California,'' by Earl Thollander (American, 1922-2001), pencil signed lower right, numbered 164/400 lower center, overall: 23''h x 31''w | 20 |
| 4477 | Framed oil on board, Factory, by Ted Christensen (Californian, 1911-1998), signed center left, overall: 24.5''h x 29''w. | 100 |
| 4478 | Framed oil on canvas, Mother and Daughter in a Garden, signed indistinctly [Andre Mi_?] lower left, overall: 28''h x 24''w | 20 |
| 4479 | Unframed oil on canvas, Seated Women in an Interior Space, by Eva Sikorski (Californian, 1917-1990), signed lower left, overall: 16''h x 20''w | 150 |
| 4480 | Unframed oil on canvas, Mother and Child, by Eva Sikorski (Californian, 1917-1990), signed lower right, overall: 16''h x 20''w | 150 |
| 4481 | Framed oil on canvas, Church in Maui, signed Tweedie Peters Noskin 1961 lower right, overall: 22''h x 26''w | 50 |
| 4482 | Framed pastel, Hazy River Landscape, unsigned, sight: 8.5''h x 18.5''w, overall: 14''h x 26''w | 120 |
| 4483 | Framed sumi ink on paper, View of a Spired Building, by Dong Moy Chu Kingman (American, 1911-2000), signed lower right, bears inscription and chop mark upper right, overall: 18''h x 16.5''w | 175 |
| 4484 | Framed acrylic on paper, River Landscape, unsigned, overall: 25''h x 31''w | 35 |
| 4485 | Framed oil on canvas, View Through a Window, by Charles E. Perry, American 20th century, signed lower right, overall: 25''h x 21''w | 20 |
| 4486 | Framed facsimile of a charcoal drawing, Peach Branches, pencil signed lower right, numbered 3/40 lower left, overall: 26''h x 28''w | 15 |
| 4488 | (Lot of 2) Framed linocuts by Henry Evans (American, 1918-1990): ''Water Parsnip (Berula Erecta),'' signed lower center, inscribed ''3012'' verso, sheet: 21''h x 16''w, overall: 22''h x 17''w; ''California Meligrass (Melica Californica),'' signed lower center, inscribed ''3004'' verso, sheet: 21''h x 16''w, overall: 22''h x 17''w. Note: According to the staff of henryevans.com, these images are early prints from a small edition | 225 |
| 4489 | (Lot of 2) Framed offset prints: ''Spider Plant,'' pencil signed B. Eddleston lower right, titled lower center, numbered 149/270, overall: 29''h x 24''w; Town Scene, signed lower right, overall: 19.5''h x 23.5''w | 10 |
| 4490 | Framed hand-colored engraving, ''Digitalis Virginiana Angustifolia Spicata,'' 19th century, overall: 19''h x 14''w | 25 |
| 4491 | Framed pastel, Still Life with Lobster, unsigned, overall: 16''h x 26''w | 70 |
| 4492 | Framed mixed media, Still Life with Sunflowers, signed Etienne lower left, inscribed and dated Paris 1962, overall: 32''h x 26''w | 90 |
| 4493 | Framed watercolor, Magnolia Blossoms, by Ali Vorhies, Contemporary, signed lower right, sight: 21.5''h x 14.5''w, overall: 23.5''h x 16.5''w. | 30 |
| 4495 | Framed oil on canvas laid to board, Still Life, by John Anthony Conner (American, 1892-1971), signed upper left, sight: 9.5''h x 7.5''w, overall: 13''h x 10.5''w. | 80 |
| 4496 | Framed watercolor on paper, Roses, unsigned, overall: 23''h x 14''w | 10 |
| 4498 | (Lot of 2) Framed etchings on silk, Alpine Winter Scenes, by Hans Figura (Austrian, 1898-1978), pencil signed lower right, overall: 15.5''h x 18''w | 100 |
| 4499 | (Lot of 2) Framed hand-colored engravings, ''Vue d'un superbe Edifice'' and ''Maison de plaisance de Bestoucheff,'' European 18th/19th century, overall (each): 19''h x 24''w | 90 |
| 4501 | Framed pen and watercolor, ''Seat of Justice,'' by Bob Benton, sigend lower right, overall: 17''h x 21''w | 35 |
| 4503 | Framed watercolor, Boats & Trees, signed indistinctly lower right, sight'' 18''h x 24.5''w, overall: 31''h x 36.5''w. | 35 |
| 4504 | Framed watercolor, ''Coastline II'', by Jeanne Bellmer (Californian, 1920-), gallery label affixed verso, overall: 27''h x 35''w | 225 |
| 4505 | Framed watercolor, Country Landscape, by Wallace McDonald (Californian, 1913-1970), signed lower right, overall: 26''h x 32''w | 25 |
| 4506 | Framed oil on canvas, Canal Washday, by Jack Laycox (Californian, 1921-1984), signed lower right, overall: 30''h x 36''w. | 700 |
| 4507 | Framed watercolor, Harbor Scene, by Bud Shackelford (Californian, 1918-2005), signed lower right, overall: 29''h x 36''w. | 275 |
| 4508 | Framed watercolor, American Clipper Ship, unsigned, overall: 23''h x 33''w | 150 |
| 4509 | Framed oil on canvas, Parisian Scene, signed indistinctly lower right, overall: 27''h x 30''w | 120 |
| 4510 | Framed watercolor, Two Figures in a Park, by Sam Wong, signed lower right, overall: 29''h x 37''w | 30 |
| 4511 | Framed color lithograph, America's Cup 1895, Defender vs. Valkyrie III, after Franklin Fairchild, overall: 22''h x 24''w | 50 |
| 4512 | (Lot of 2) Framed European watercolor, City Street and Cathedral, signed Ch. Royer lower right; Framed oil on canvas, Portrait of a Man, signed Kuzmowicz lower right, largest overall: 22''h x 18''w. | 20 |
| 4513 | (Lot of 2) Framed prints: etching, Polo Player, by Carton Moorepack (American, 1887-?), pencil signed lower left; offset print, The Field, after J. Pollard; overall: largest 11.5''h x 14''w | 20 |
| 4514 | (lot of 2) Framed oils on board by Tweedie Peters Noskin: Pansies, signed lower right; and San Francisco Scene, signed lower left, largest overall: 19.75''h x 15.75''w. | 50 |
| 4515 | Framed oil on board, European City in Moonlight, signed indistinctly (V Poseli?) lower right [V. Pozeliz?], overall: 26.5''h x 22.5''w | 110 |
| 4516 | (Lot of 2) Framed pastels, ''Poppy Meadows,'' pencil signed indistinctly lower right, dated 1987 lower left, overall: 42''h x 28''w | 50 |
| 4517 | Framed lithograph, ''Farmyard,'' pencil signed Mike Pease lower right, numbered 149/175 lower left, overall: 35''h x 47''w | 20 |
| 4518 | Framed pastel, Coastal Scene, pencil signed indistinctly and dated 1987 lower right, overall: 47''h x 64''w | 120 |
| 4519 | Framed oval oil on canvas, Portrait of a Lady, after Godfrey Kneller (British, 1646-1723), bears indistinct mark lower center, sight: 21.5''h x 17.5''w, overall: 28''h x 25''w. | 375 |
| 4521 | Framed oil on board, Portrait of a Woman, unsigned, overall: 30''h x 26''w. | 130 |
| 4522 | Framed oil on canvas, Troubador Playing Instrument, signed Frederick Kress lower right, overall: 32''h x 26''w. | 425 |
| 4523 | Framed oil on canvas, St. Francis Mediator with Skull, after Francisco de Zurbaran (Spanish, 1598-1664), unsigned, overall: 28''h x 24''w. Condition: Water damage, heavy cracking with some paint loss, water and bug damage. | 550 |
| 4524 | Unframed oil on canvas, Mission, Carmel, unsigned, overall: 18''h x 13.5''w. | 140 |
| 4525 | Framed oil on canvas, Portrait of a Woman, by Domingo Huetos, signed lower left, overall: 40''h x 33.5''w. | 700 |
| 4526 | Framed oil on canvas, Portrait of a Girl, by Ernest de Nagy (American, 1882-1944), signed and dated 1940 lower right, overall: 43''h x 35''w. | 350 |
| 4527 | Framed oil on board, ''Israel'', signed indistinctly (A.W. Rinano?) lower right, titled lower right, overall: 26.5''h x 20.5''w. | 225 |
| 4528 | Framed watercolor, Santa Barbara Mission, signed Richardson lower right, overall: 20''h x 15''w. | 100 |
| 4529 | Framed oil on canvas, Portrait of a Rabbi, signed Kohn lower right, overall: 26''h x 22''w. | 20 |
| 4530 | (lot of 2) Framed mixed media, Architectural Collages, initialed D.S.D and dated '89 & '90 lower right, overall: each 32''h x 25''w. | 30 |
| 4531 | Framed oil on board, Three Figures, unsigned, overall: 31''h x 27.5''w. | 70 |
| 4532 | Unframed oil on canvas, Luncheon, signed Kadnar I. lower right, overall: 24''h x 36''w. | 25 |
| 4533 | Framed oil on board, Abstract, by Feg Murray (Frederic Seymour Murray, Californian, 1894-1973) signed lower left, overall: 20''h x 23.5''w. | 45 |
| 4534 | Framed oil on board, Portrait of a Girl, signed Tina Kappel lower right, overall: 33''h x 27''w. | 20 |
| 4535 | Framed oil on board, Girl Playing Guitar, by Alice S. Cardall Todhunter (Californian, 1883-1969), signed lower right, overall: 26''h x 22''w. | 110 |
| 4536 | (lot of 2) Framed oils on board, Portraits of 18th C Men, unsigned, overall: each 27''h x 21''w. | 140 |
| 4537 | (lot of 2) Framed charcoal and paper drawings, Studies of Sculptures, signed Stroh lower right, each overall: 30.5''h x 23.5''w. | 20 |
| 4538 | Framed lithograph in colors, Reclining Beauty, by Jean-Baptiste Lafosse (French, 1814-1879), plate signed lower left, overall: 35''h x 39.5''w. | 200 |
| 4540 | (lot of 3) Two framed vintage prints, Portraits; one framed watercolor and gouche, Snow Maiden, signed Katherine Hansard and dated '05, largest overall: 11.5''h x 11.5''w. | 15 |
| 4542 | (Lot of 3) Framed hand-colored lithographs, published by Haskell and Allen (Boston): ''Summer''; ''Spring''; ''Autumn''; plate: 17.5''h x 24''w, overall (each): 27''h x 33''w | 150 |
| 4543 | Framed photogravure, Madonna and Child, signed James Dott lower right, copyright 1896, overall: 22.25''h x 18.25''w. | 20 |
| 4545 | Framed photograph, Landscape, unsigned, overall: 11.5''h x 14.5''w. | 20 |
| 4546 | (lot of 2) Framed chalk drawings, Portraits of Women, each signed Harriet Young and dated 1868 lower right, overall: 28''h x 21''w. | 25 |
| 4547 | Framed engraving, Three Figures in an Interior, unsigned, overall: 21''h x 25''w. | 40 |
| 4548 | Framed photogravure, You Snooze, you lose!, unsigned, overall: 24''h x 30''w. | 15 |
| 4549 | Framed photogravure and cerificate, Universal Exposition Saint Louis, 1939, overall: 17''h x 21.25''w. | 35 |
| 4550 | Framed engraving, Street Scene, plate signed A. Ballin lower right, overall: 18''h x 13.5''w. | 15 |
| 4552 | Framed hand colored print, Castle, after Paul Geissler (German, 1881) plate signed lower left, inscribed in pencil, overall: 17.25''h x 14.25''w. | 35 |
| 4553 | (lot of 5) Framed prints: (3) etchings, Various Landscapes of San Francisco, by Alec Stern (Californian, 1904-1994), each pencil signed and titled; reproduction, ''East and West, San Francisco,'' after Alec Stern; etching, ''River Front,'' titled lower left and signed indistinctly lower right, largest overall: 16.5''h x 20.5''w. | 140 |
| 4555 | Framed lithograph, Portrait of Harry Guldeford Knight, after Hans Holbien, overall: 25''h x 21''w | 30 |
| 4556 | Framed antique photograph, Portrait of a Woman, unsigned, overall: 28.5''h x 24.5''w. | 40 |
| 4557 | Framed hand colored lithograph, Royal Ceremony, unsigned, overall: 19.75''h x 24.5''w. | 100 |
| 4558 | Framed engraving, ''Melancolia (after Durer)'' plate signed Johan Wiercix (Flemish, c.1549-c.1615), dated 'Anno 1602', after Albrecht Durer, sight: 9.25''h x 7.25''w, overall: 19''hx 18''w | 325 |
| 4559 | (Lot of 4) Framed engravings, Portraits of Important Men: Sir Isaac Newton, Sir Thomas More, Oliver Cromwell, and Edward Seymour Duke of Somerset, European 18th century, sight: 14.5''h x 9.5''w (each), overall: 24''h x 20''w (largest) | 110 |
| 4560 | Framed etching and engraving, ''Petrus de Jode, Junior,'' (1645), by Peter de Jode (Flemish, 1606-), after Anthony van Dyck (Flemish, 1599-1641), plate signed and titled, sight: 11.5''h x 8.5''w, overall: 23''h x 20''w. | 50 |
| 4561 | Framed engraving, Interior Architectural Elements (Plate 31), by Cavalier Piranesi (Italian), plate signed lower left, plate: 16''h x 11''w, overall: 22''h x 17''w. | 100 |
| 4562 | Framed charcoal on paper drawing, Portrait of a Girl, unsigned, overall: 25.5''h x 24.5''w. | 60 |
| 4563 | (lot of 3) Framed lithographs on Japan paper, ''Benedictin Church in Sieniawa'', ''Tarnow on the Ring Square'', and ''Jaroslau, the Old town House,'' by Luigi Kasimir (Austrian 1881-1962), one pencil signed, each plate signed, dated and titled, printed in 1915, overall: each 13.25''h x 10.5''w. | 50 |
| 4564 | (Lot of 3) Framed oils on board, Rural Landscapes, signed Michael Bartlett and dated '88 lower right and left, overall: each 20''h x 22''w | 275 |
| 4565 | Framed hand-embellished serigraph, Female Face, by Manoukian Martiros, contemporary, signed and numbered 280/395 lower right, overall: 35''h x 43''w | 550 |
| 4566 | (Lot of 2) Framed mixed media collages, Abstract Compositions, pencil signed lower right [Daniele Desplan], (French, Contemporary), overall: each 36''h x 28''w | 200 |
| 4567 | Framed pastel, ''The Garden Gate,'' pencil signed indistinctly (Kourey?) lower right, dated 1987 lower left, overall: 38''h x 28''w | 30 |
| 4568 | Framed photograph (later printing), San Francisco Cliff House (1898-1907), unsigned, overall: 14''h x 17''w | 70 |
| 4569 | (Lot of 2) Framed hand-colored maps, The Americas, the map drawn and engraved by J. Rapkin, the illustrations by J. Marchant and engraved by J. Rogers, overall: each 21.5''h x 15''w | 200 |
| 4570 | (Lot of 4) Framed hand-colored engraved maps, Departments des Landes, de La Gironde, de Lot et Caronne, et de la Lozere, from the Atlas National Illustre, printed by Lemercier (Paris), overall: each 23.5''h x 16.5''w | 175 |
| 4571 | Framed black and white photograph, Twisted Cypress, unsigned, overall: 16''h x 20''w | 20 |
| 4573 | (lot of 3) Framed color lithographs with pochoir embellishment, after Henri de Toulouse-Lautrec (French, 1864-1901), plates from ''Henrie de Toulouse-Laurtrec, 1864-1900: Dessins-Estampes-Affiches'' by Maurice Joyant (H. FLoury, Paris, 1927): ''Divan Japonais/75 rue des Martyrs,'' ''Aristide Bruant/dans son Cabaret'' and ''Reine de Joie par Victor Joze/chez tous les libraires'', each sight: 9.5''h x 7.5''w, overall: 17''h x 14''w. | 225 |
| 4574 | Framed mezzotint, Portrait of a Lady, by S.W. Reynolds, after J. Hoppner, overall: 19.5''h x 16''w | 15 |
| 4575 | (Lot of 3) Unframed oils on canvas, Abstracts and Landscape, one signed and dated Sue Mapis '58 lower right, overall: largest 24''h x 29''w | 25 |
| 4576 | Framed oil on board, Man and Woman in a European Landscape, signed Daniel Weinroth lower right, contemporary, overall: 34''h x 43''w | 35 |
| 4578 | Unframed oil on cardboard, Still Life with Pomegranates, unsigned, overall: 18''h x 24''w | 70 |
| 4579 | Framed oil on canvas, Poppies in Blue Vase, signed Nocero lower left, overall: 38''h x 26''w | 20 |
| 4580 | Framed oil on canvas, Winter Landscape, initialed lower right, European 19th century, overall: 24.5''h x 18''w | 50 |
| 4581 | Unframed oil on canvas, Portrait of a Man with Hat, signed and dated Josephine Elion 1924 lower left, overall: 20''h x 16''w | 100 |
| 4582 | Framed oil on canvas, Portrait of a Horse, unsigned, overall: 33''h x 27''w | 110 |
| 4583 | Framed oil on canvas, The Nude Model, signed Gordon Brusstor lower right, overall: 21''h x 37''w | 140 |
| 4585 | Framed holiday card print, ''A Merry Xmas and a Happy New Year from the Boreins,'' designed by Edward Borein (American, 1872-1945), sheet: 9.25''h x 6''w, overall: 15''h x 13''w | 200 |
| 4586 | Framed acrylic on canvas, Jungle Animals, by Joel Gauthier (Haitian, b.1955), signed lower left, overall: 18''h x 14''w | 60 |
| 4587 | Framed oil on board, Fuschia, by W.S. Herrington, initialed lower right, overall: 17''h x 14''w | 80 |
| 4588 | Framed oil on board, Figure Outside of Buildings, signed P. Castellan lower right, overall: 16.5''h x 21''w | 150 |
| 4589 | Framed gouache, Seated Nude, unsigned, overall: 18''h x 16''w | 70 |
| 4590 | Framed oil on canvas, Figure at Night, signed and dated indistinctly lower right, overall: 23''h x 29''w | 50 |
| 4591 | Framed oil on canvas, ''Reverand Howard Finster,'' by Benny Carter (American, b.1943), signed lower right, overall: 24''h x 31''w | 500 |
| 4592 | Framed oil on canvas, Peruvian Landscape with Llamas, signed indistinctly lower left, overall: 17''h x 21''w | 45 |
| 4593 | Framed oil on canvas, Monterey House, contemporary, in the manner of Manuel Valencia (Californian, 1856-1935), unsigned, overall: 16''h x 24''w. | 130 |
| 4594 | Framed oil on canvas, The Thinking Woman, after Alexej Von Jawlensky (Russian, 1864-1941), unsigned, contemporary, 27.5''h x 23.5''w. | 50 |
| 4595 | Framed mixed media (acrylic and marker) Universal Overpopulation, by Woody Hansen, signed lower right, inscribed verso, overall: 20''h x 24''w | 30 |
| 4596 | Framed acrylic on canvas, Flower, signed Vivi lower right, overall: 21''h x 25''w | 10 |
| 4597 | Framed mixed media on board, Mother and Child, by Koichi Nomiyama (Californian, 1900-1984), signed lower right, sight: 14''h x 7''w, overall: 21''h x 14''w. | 275 |
| 4598 | Unframed oil on canvas, Rabbi, signed Alexander upper right, overall: 30''h x 24''w | 50 |
| 4599 | Framed oil on board, ''Lute Strings,'' by Louise Cardeiro Boyer (Californian, 1904-1992), signed upper left, inscribed verso, overall: 19''h x 23''w | 140 |
| 4601 | (Lot of 2) Framed lithograph, Bouquet and Dove, after Pablo Picasso, overall: 16''h x 12''w | 25 |
| 4602 | Framed hand-colored engraving, Wall Panel Motif (Number IX), by Giovanni Volpato (Italian, 1732-1803), unsigned, overall: 44.5''h x 17.5''w | 400 |
| 4603 | Framed serigraph poster, Woman with Dog, by Erte (Romain de Tirtoff) (Russian, 1892-1990), published by Mirage Editions, overall: 30''h x 20''w | 25 |
| 4604 | Framed serigraph, ''O'' (from the Alphabet Series), by Erte (Romain de Tirtoff) (Russian, 1892-1990), pencil signed lower right, numbered X/XC lower left, overall: 34''h x 28''w | 425 |
| 4605 | Framed poster, Flame, by Erte (Romain de Tirtoff) (Russian, 1892-1990), published by Mirage Editions, overall: 32''h x 22''w | 25 |
| 4606 | Framed offset print, Female Face, after Matisse, overall: 12''h x 11''w | 20 |
| 4607 | Framed pen on paper drawing, Three Figures, by Helen Oldfield (Californian, 1902-1981), signed lower center, overall: 10.75''h x 8.75''w. | 25 |
| 4608 | (Lot of 2) Framed pochoirs, Women in Profile, plate signed and dated P.L.B. 1935 lower left, overall: each 20''h x 15''w | 25 |
| 4609 | Framed offset print, Fly Fishing, by Thomas Kinkade, signed and numbered lower left, overall: 34''h x 40''w | 175 |
| 4610 | Framed offset print, ''Sunset, Canada Geese,'' by Maynard Reese, pencil signed lower right, numbered 547/950 lower left, overall: 29''h x 39''w | 50 |
| 4611 | Framed chromolithograph, Children, printed lower right: ''From Prof. Cizek's Juvenile Art Class - Austrian Junior Red Cross, Vienna I. Stubenring,'' overall: 14''h x 32''w | 90 |
| 4612 | Framed oil on canvas, Portrait of a Man on a Dock, unsigned, overall: 44''h x 32''w | 120 |
| 4613 | Framed mixed media, The King, by Jacque Talmar (Belgian, 20th century), signed lower right, overall: 38''h x 28''w | 25 |
| 4614 | Framed mixed media collage, ''Falbalas y Lia'' (1978), signed indistinctly and dated 1978 lower right, John Pence Gallery stamp verso, inscribed ''Exhibited San Francisco - 1978'' verso, sight: 25.5''h x 20''w, overall: 32''h x 26''w | 60 |
| 4615 | Framed photolithograph, Marilyn, by Milton H. Greene (American, 1922-1985), pencil signed lower right, numbered 62/300 lower left, overall: 36''h x 47''w | 650 |
| 4616 | Framed oil on canvas, ''Girl in Red'', signed Wong Yi Dong, overall: 39''h x 27.5''w. | 1600 |
| 4617 | Framed serigraph, Skier, by Victor Spahn (French, 1949-), pencil signed lower right, numbered 143/750 lower left, overall: 21.5''h x 24.5''w. | 30 |
| 4618 | Framed serigraph, ''Dance of the Moors,'' by Carlos Merida (Latin American, 1891-1984), pencil signed lower right, overall:21.5''h x 18.5''w. | 140 |
| 4619 | Collection of Lady and the Tramp 50th Anniversary edition prints, accompanied by stuffed animals and pin. | 15 |
| 4620 | Framed offset print, Panama Pacific International Exposition, San Francisco, 1915,'' unsigned, overall: 16.5''h x 13''w. | 70 |
| 4621 | Framed lithograph, Keep It Moving, plate signed E.B. lower center, overall: 16.75''h x 12.75''w. | 25 |
| 4622 | Framed watercolors, Portraits of a Man and Woman drinking tea, signed indistinctly lower right (I. Kojima?), overall: each 17.5''h x 14.5''w. | 90 |
| 4623 | Framed lithograph, ''L'Ora,'' Halian Poster, overall: 41''h x 23''w. | 50 |
| 4624 | Framed offset print, Alebrijes, unsigned, overall: 34''h x 25.75''w. | 40 |
| 4625 | Framed animation cels, Donald Duck, unsigned, overall: 34.25''h x 28.25''w. | 110 |
| 4626 | Framed screenprint and gouache, ''First Day of Spring'' (Pesky Cat), by Martha Wahlert, signed lower right, titled lower left, overall: 33.5''h x 25.5''w. | 100 |
| 4628 | (Lot of 2) Framed gallery exhibition posters: ''Joint Show,'' published by Mouse Studios; ''Moore Galleries: Kelley, Stanley Mouse, Vic Moscoso, Wes Wilson and Rick Griffin'' (San Francisco, 1967), overall: 28''h x 22''w | 90 |
| 4629 | Framed animation cel, Garfield, 1978, overall: 12.25''h x 16''w. | 45 |
| 4630 | Framed animation cel, Tweety, Sylvester, Bulldog Warner Brothers, overall: 20''h x 22.5''w. | 100 |
| 4632 | (lot) one framed and many loose original Hanna Barbera animation cels and drawings, including ''Wally Gator'', ''Partridge Family 2200 AD'' and ''Speed Buggy,'' largest overall: 12''h x 14''w. | 50 |
| 4633 | Framed Herbert Hoover Presidential Appointment for Postmaster, April 1929, autopen signed | 25 |
| 4634 | Framed Calvin Coolidge Presidential Appointment for John J. Burkhard, Postmaster dated March, 1925 autopen signed | 25 |
| 4635 | (lot of 2) Franklin D. Roosevelt Presidential Appointment John J. Burkhard, Postmaster, one dated May 1937 and one dated June, 1944, autopen signed | 50 |
| 4636 | (lot of 5) Framed offset prints, Alaskan Scenes, by Ed Tussey, pen signed and numbered, largest overall: 41.5''h x 25.5''w. | 70 |
| 4637 | (lot of 2) Framed lithographs: St. Denis; Bonaparte, unsigned, largest overall: 16.75''h x 12.75''w. | 80 |
| 4638 | Burmese kalaga panel (traditional textile hanging) with two figural roundels reserved on a foliate patterned ground and set within various patterned border bands, all worked on a black fabric ground with couched metallic thread, applique, sequins and beads, now suspended from a bamboo rod, 37'' x 27'' | 90 |
| 4639 | Tibetan/Nepalese tanka (thangka), 19th/20th century, featuring Milarepa seated with his right hand to his ear, the left holding a skull cup, the adept surrounded by numerous bodhisattvas, abbots and guardian figures in a landscape, executed in gilt, ink and color on fabric, patterned Chinese silk borders (wear), 39''l; painting 25.25'' x 16'' | 175 |
| 4640 | Framed Chinese reverse glass painting, Beauty in Study, 20th century, color on glass, overall: 25.5''h x 17.75''w | 90 |
| 4641 | (lot of 16) Framed Chinese paintings, each featuring a genre scene with a figure or figures below a colophon, all sealed, some signed, overall: 16.75''h x 16.75''w | 90 |
| 4642 | Framed Asian calligraphy panel, ink on paper, inscribed with three large characters reading 'bu ru xue' (= why not learn), signed and with three seals (mildew and pucture), overall: 19.25''h x 45.5''w, painting: 13''h x 36''w | 50 |
| 4644 | Chinese hanging scroll, Boys and Buffalos, ink and color on paper, after Li Keran (Chinese, 1907-1987), inscribed and bearing the signature 'Keran,' with one seal of the artist (wrinkles), overall: 30.5''h x 20.5''w, painting: 13.75''h x 13''w; Provenance: Estate of Gloria O'Hara, Vancouver, Canada | 325 |
| 4645 | (lot of 4) Framed Chinese paintings, flowers of the four seasons, ink and color on silk (two damaged frames), overall 32.5''h x 19''w, sight: 26.5''h x 14.5''w Provenance: The Gillooly & Marshall Collections, San Francisco, CA | 130 |
| 4646 | Chinese hanging scroll, after Shen Quan (Chinese, 1682-1762), with a pair of birds perched on a flowering peony issuing from rockwork, top right with dated Qianlong dingchou (=1697) and signed colophon, with two seals, overall:79''l; painting:47'' x 25'' | 50 |
| 4647 | Framed Japanese painting, Edo period, originally part of a large screen depicting episodes from the military epic the 'Tale of the Heike' (Heike Monogatari), with a samurai with a broken sword fleeing towards his horse while pursued by enemy warriors, executed in ink, color and gold on gold-flecked paper, (some restorations), overall 25.5'' x 36.75''; painting 17.5'' x 21'' | 150 |
| 4648 | Framed Japanese painting, 19th century, Shijo school, Monkey amid Flowering Peony, signed '[Gyok]koku', with one seal (staining), 31.75'' x 29.5''; painting 19.5'' x 22.5'' | 175 |
| 4649 | Framed Japanese woodblock print triptych, late 19th century, entitled 'Chiyoda no on-omote' (=Events at the outside the Chiyoda palace), depicting a daimyo procession, signed Yoshu Chikanobu (Toyohara Chikanobu 1838-1912), now mounted in folding screen format 19'' x 43'' | 130 |
| 4650 | Framed Japanese panel painting, 19th century, 'Japanese Imperial Guardsmen in a Horse Race,' ink and color on paper, with two seals, one reading 'Fujiwara Mitsusada' (minor puctures and repairs), overall: 46.25''h x 22''w | 25 |
| 4651 | (lot of 2) Framed Japanese woodblock print reproductions, the first after Hiroshige, from the series '53 Stations of the Tokaido Road,' entitled 'Kameyama', the second after Hokusai, from the '36 Views of Mount Fuji' series, entitled 'Great Wave off Kanagawa' overall 15.5'' x 20.25'' | 25 |
| 4653 | Framed oil on canvas, Waves, in the manner of Norbert Goeneutte (French, 1854-1894), unsigned, overall: 53.5''h x 42''w. | 150 |
| 4655 | Chinese oversize Buddhist hanging scroll, 20th century, depicting a manifestation of Guanyin seated in princely raiment and holding an amphora and a sprig of willow below a floating canopy, a pair of attendant bodhisattva figures standing to either side, 115''h x 43.25''w; painting 66''h x 33.5''w | 275 |
| 4656 | Framed photogravure, ''Jack Red Cloud, plate #81,'' after Edward S. Curtis, printed by by John Andrew and Son, overall: 28''h x 23''w. | 100 |
| 4657 | Framed gouache, Ceremonial Dance, signed Pablita Velarde (American, 1918-2006), signed lower right, overall: 22''h x 21.5''w. | 950 |
| 4658 | Framed oil on board, Portrait of a Girl, signed Joseph Gomez lower left, overall: 18''h x 15''w. | 130 |
| 4659 | Framed oil on canvas, Portrait of a Woman, signed E.V. Lopez and inscribed ''Manila 1952'' lower left, overall: 25''h x 21''w | 80 |
| 4661 | Framed mixed media on canvas, American Indian Still Life of Tribal Items in a Basket, signed and dated SA '77 lower right, overall: 16.5''h x 20''w | 20 |
| 4662 | Framed pastel, Portrait of a Man Holding Hat, by Pascal Cucaro (Californian, 1915-2004), signed and dated 1948 lower center, overall: 23''h x 20''w | 250 |
| 4663 | Framed oil on canvas, ''Cata Church, Guanajuato, Mexico,'' by Lionel H. Pries (Californian, 1897-1968), signed and titled verso, overall: 22''h x 26''w | 70 |
| 4664 | Framed oil on board, Rodeo, signed Homer lower right, overall: 17''h x 20''w | 35 |
| 4665 | Framed offset print, Seated Woman, after Rudolph Charles Gorman (American, b.1932), pencil signed lower right, overall: 27''h x 34''w | 90 |
| 4666 | Framed reverse glass painting, Sacred Hearts, unsigned, overall: 28''h x 34''w | 120 |
| 4667 | (lot of 2) Unframed acrylics on board, Views of the Golden Gate, by Ted Christensen (Californian, 1911-1998), each signed verso, largest overall: 18''h x 24''w. | 130 |
| 4668 | Unframed oil on canvas, ''Evening,'' 1895, by Joseph A.C. Pettitt (European, 19th century), signed and dated lower right and verso, titled verso, overall: 16''h x 24''w. Condition: canvas torn at edges; warping; tobacco staining. | 50 |
| 4669 | Framed pastel on paper, Portrait of a Man, signed K. Courteal lower right, overall: 33''h x 29''w | 30 |
| 4670 | Framed watercolor, Toreador, by Alan Hamilton Crane (American, 1901-1969), signed lower left, sight: 14''h x 20.5''w, overall: 22''h x 28''w. | 20 |
| 4671 | Framed oil on canvas, Portrait of a Tribal Man, signed E.V. Lopez and inscribed ''Manila 1952'' lower left, overall: 25''h x 21''w | 650 |
| 4672 | (Lot of 2) Unframed oils on canvas: Pink, Brown and Orange Abstract, signed and dated Jorgi '82 lower right, overall: 23.5''h x 29''w; Women with Fruit Baskets, unsigned, overall: 29''h x 24''w | 25 |
| 4673 | Framed oil on canvas, ''Pedro's Pet,'' signed 'Macel' lower right, overall: 45''h x 32''w. | 25 |
| 4674 | (lot of 2) Pair of Chinese architectural panels with gilt and colored pigment accents, each with a recessed rectangular figural reserve bracketed by shaped reserves of flower and scholar's items, all on a ground of scrolling tendrils, 24''h x 9''w | 45 |
| 4676 | Framed serigraph, ''Wild Man from the Sea'', by Henry Hunt, pencil signed lower right, numbered lower left, overall: 26''h x 24''w | 110 |
| 4677 | Framed serigraph, ''Bella Coola Sun'', by Jim Johnny, pencil signed lower right, numbered lower left, overall: 30''h x 30''w | 130 |
| 4679 | Framed photograph, ''Alice Spotts and Daughters'', unsigned, 19th century, overall: 12''h x 15''w. | 60 |
| 4680 | (lot of 2) Framed offset lithographs, Encampments, after Heine Hartwig (American, 1937 - ), each plate signed, largest overall: 30''h x 32''w. | 50 |
| 4681 | Framed oil on canvas, Portrait of a Young Boy, by Antonio Greppi (Italian), signed lower right, overall: 19''h x 14''w. | 200 |
| 4682 | Framed poster, ''Earth Knower,'' after Maynard Dixon (American, 1875-1946), overall: 28.5''h x 19.5''w. | 15 |
| 4683 | Framed poster, View of a Vanishing Frontier, after Carl Bodmer (Swiss, 19th c.), Joslyn Art Museum, overall: 32''h x 20''w. | 20 |
| 4685 | Framed gold-leaf reproduction relief plaque, Syracuse Chariot, published by Classical Reproductions, described and numbered 18/360 on label affixed verso. | 25 |
| 4686 | Unframed oil on metal panel, Mexican Retablo, inscribed in Spanish and dated 1895, overall: 8.5''h x 10''w. Condition: Several punctures, as if from nails. | 60 |
| 4687 | Framed color offset lithograph, Ballet Dancers, after Degas, plate signed lower left, overall: 27.5''h x 21''w. | 15 |
| 4688 | Framed acrylic on board, ''Yellow/Orange Composition,'' by Richard Mann (American, 20th century), signed lower center, sight: 48''h x 36'' w. | 110 |
| 4689 | (Lot of 2) Unframed and framed oils on canvas, Abstracts, unsigned, largest overall: 48''h x 40''w. | 80 |
| 4690 | (Lot of 2) Unframed and framed oils on canvas, Abstracts, one signed ''Rose-Marie'' verso, one signed and dated '75 lower left, largest overall: 48''h x 40''w. | 175 |
| 4691 | Framed oil on canvas, Floral Still Life, unsigned, Contemporary, overall: 46''h x 33''w | 30 |
| 4693 | Framed serigraph, Musicians, by signed Levi Dorit (contemporary), signed lower right, overall: 48''h x 55''w. | 150 |
| 4695 | Framed oil on board, Flowers in Vase, signed James lower right, contemporary, overall: 31''h x 35''w | 20 |
| 4696 | Unframed, matted oil on canvas, Foothill Landscape, signed indistinctly (Donny?) lower left, overall: 16''h x 20''w. | 50 |
| 4697 | Unframed linocut, ''California Poppy'' by Hisao A. Yokota (Californian, contemporary), pencil signed and dated 1981 lower right, titled lower center, numbered 217/400 lower left, overall: 13''h x 15''w. | 35 |
| 4698 | Unframed linocut, ''Iris Douglasiana'' by Hisao A. Yokota (Californian, contemporary), pencil signed and dated 1983 lower right, titled lower center, numbered 217/400 lower left, overall: 13''h x 15''w. | 70 |
| 4699 | Unframed linocut, ''Hibiscus Californicus'' by Hisao A. Yokota (Californian, contemporary), pencil signed and dated 1981 lower right, titled lower center, numbered 217/400 lower left, overall: 13''h x 15''w. | 25 |
| 4700 | (lot of 2) Unframed oil paintings on board by Dorothy Waterhouse McKee (Californian, 1898-1949): Still Life with Watering Can, signed verso; Greenhouse Door, largest overall: 20 x 16''w. Provenance: Estate of the artist | 100 |
| 4701 | (lot of 3) Unframed oils on board by Dorothy Waterhouse McKee (Californian, 1898-1949), unsigned: Supermarket; Abstract; Mission Architecture; largest overall: 18''h x 14''w. Provenance: Estate of the artist. | 90 |
| 4702 | (lot of 4) Unframed pastels, Facades, by Dorothy Waterhouse McKee (Californian, 1898-1949), one signed and dated '48 lower left, largest overall: 20''h x 15''w. Provenance: Estate of the artist. | 80 |
| 4703 | (lot of 5) Unframed pastels, California Townscapes, by Dorothy Waterhouse McKee (Californian, 1898-1949), unsigned, one dated '40 upper left, largest overall: 14''h x 22''w. Provenance: Estate of the artist. | 150 |
| 4704 | Unframed albumen print, Portrait of a Girl, unknown photographer, American School, late 19th century, inscribed ''88946'' verso, illegible photography studio stamp verso, overall: 20''h x 16''w. | 25 |
| 4705 | (lot of 5) Unframed ink, watercolor, gouaches, Fashion Plates, by Eva Sikorski (Californian, 1917-1990), unsigned, largest overall: 20''h x 11''w. Provenance: Estate of the artist. | 50 |
| 4707 | (lot of 21) Portfolio of unframed etchings, ''Pages of Glory and History: the 91st Division in Argonne and Flanders'' (1920) by C. Kufferath (French, 20th century), published by City of Paris, each with vellum overlay and inscription attributing print to E. Kufferath, each overall: 10''h x 14''w. | 40 |
| 4708 | (lot of 2) Unframed photogravures after pastel drawings by James McNeill Whistler (American, 1834-1903): ''Bead-Stringers, Venice,'' image: 8 1/2''h x 3 5/16''w, sheet: 9 1/4''h x 4 3/16''w; ''The Blue Girl,'' image: 8 3/16''h x 4 5/8''w, sheet: 8 13/16''h x 5 5/16''w. | 50 |
| 4710 | (Lot of 3) Unframed sepia and blue watercolors, Coastal Scenes, by Frank William Cuprien (Californian, 1871-1948), each signed or initialed, sheet: 12''h x 9''w | 140 |
| 4712 | (lot of 8) Unframed bookplates, engravings of members of the British nobility and the corresponding biographies, printed by J and P Knapton in London, 1747, each sheet overall: 18''h x 10''w, one mounded page overall: 21''h x 15''w. | 15 |
| 4713 | Unframed gouache on paper, Paysage Abec Rive, by Rene Couturier (Dutch, b. 1933), signed lower right, overall: 20''h x 26''w. | 225 |
| 4714 | (lot of 3) Unframed ''Neon Rose Series'' psychadelic rock posters, published by Victor Moscoso (Californian, 20th century): The Doors (1967), The Only Alternatives (1967), and ''The Sopwith Camel'' (1967), all unsigned, each overall: 20''h x 14''w. | 400 |
| 4715 | Unframed hand-colored photograph, Mt. Shasta, copyright 1900 by Detroit Publishing Co. | 40 |
| 4716 | Unframed gouache, Peacock, by Jaggu Prasad (Indian, 1963-), overall: 16''h x 21''w. | 120 |
| 4717 | Unframed Hebrew prayer text on vellum, possibly once bound in a book, overall: 17''h x 16''w. | 45 |
| 4718 | Unframed oil on canvas, Arc de Triomphe, signed Bournik lower right, overall: 21''h x 24.5''w. | 15 |
| 4720 | Framed etching on Van Gelder paper, Sunlight through Trees, by Lawton Parker (American, 1869-1964), pencil signed lower right, inscribed ''Artist's Proof'' lower left, overall: 11''h x 9''w. | 130 |
| 4723 | Unframed watercolor, Harbos Scene, by Floyd Smith (Californian, 20th century), signed lower right, overall: 16.5''h x 22''w. | 25 |
| 4724 | (lot of 3) Unframed pen and ink drawings and ''scratch board'' compositions, Still Lifes (Jug and Succulent, Iris, and Abstract), by Floyd Smith (Californian, 20th century), c. 1940, each signed, likely elements of a student portfolio created during Smith's studies at the California College of the Arts), largest overall: 22''h x 16''w. | 25 |
| 4726 | Portfolio of works on paper by Floyd Smith (Californian, 20th century), c. 1941, including two pencil drawings, one pen and ink drawing, one graphite and watercolor drawing dated 1941 and stamped ''CCAC'' (California College of the Arts), and one mixed media piece, some signed, overall portfolio size: 18''h x 15''w. | 25 |
| 4727 | Unframed lithograph, ''The Impossible Step'' (1985), by Daniel Serra Badue (American, 1914-), pencil signed and dated lower right, image: 18.5''h x 13''w, overall: 26''h x 20''w | 20 |
| 4728 | Unframed watercolor, Abstract, by Thelma Gladys Speed Houston (Californian, 1914-2000), signed lower right, overall: 21''h x 28''w. | 45 |
| 4729 | Unframed pastel on paper, Portrait of Vivien Leigh, by Allan Edgar Kramer (American, 1903-1986), signed on mat lower right, overall: 22''h x 30''w. | 90 |
| 4733 | (lot of 2) Unframed reproduction Ringling Brothers and Barnum and Bailey circus posters, printed c. 1950, ''Chariot Race'' and ''Polar Bears,'' each overall: 17''h x 24''w. | 50 |
| 4734 | (lot of 2) Unframed reproduction Ringling Brothers and Barnum and Bailey Circus posters, printed c. 1950, ''Greatest Show on Earth'' and ''Terrell Jacobs, Lion Tamer'', each overall: 23.5''h x 36''w. | 80 |
| 4735 | (lot of 2) Unframed reproduction Ringling Brothers and Barnum and Bailey Circus posters; ''Gargantua: The Largest Gorilla Ever Exhibited'', printed c. 1950, and Clown with Tiger Jack-in-the-Box, c. 1970; largest overall: 23.5''h x 36''w. | 45 |
| 4736 | Umframed colored etching, ''End of Summer,'' by Hubert Shuptrine (American, 1936-200), signed lower right, numbered 281/300, sheet: 27.25''h x 40''w. | 20 |
| 4737 | Unframed colored lithograph, ''Dego Vase,'' by Kubo, signed lower right, numbered 183/250, overall: 27.75''h x 41.75''w. | 20 |
| 4740 | (lot of 3) Unframed serigraphs, ''Yellow Beach,'' ''Grass and Sea'' and ''Autumn Tree'' by Howard Bradford (Californian, 1919 - ), each signed and dated lower right, titled lower center, numbered lower left, each overall: 26''h x 41''w. | 45 |
| 4743 | (lot of 5) Unframed serigraphs, ''Dune Grass'', ''Summer Wheat #2'', ''Sea's Edge #2'' ''Birds and Sand #1'', and ''Autumn Bird'' by Howard Bradford (Californian, 1919 - ), each signed and dated lower right, titled lower center, numbered lower left, largest overall: 26''h x 23''w. | 25 |
| 4744 | (lot of 3) Unframed serigraphs, ''Emerald Seas #1'', ''20 Knots #2'', and ''Cruising #1'' by Howard Bradford (Californian, 1919 - ), each signed and dated lower right, titled lower center, numbered lower left, largest overall: 30''h x 23''w. | 30 |
| 4748 | (lot of 4) Unframed serigraphs, ''Earth Rhythms'' (#1, #2 and #3) and ''Moment in Red'', by Howard Bradford (Californian, 1919 - ), each signed and dated lower right, titled lower center, numbered lower left, each overall: 35''h x 46.5''w. | 25 |
| 4751 | (lot of 2) Unframed serigraphs, ''Vespers'' (#1 and #2), by Howard Bradford (Californian, 1919 - ), each signed and dated lower right, titled lower center, numbered lower left, each overall: 35.5''h x 46''w. | 25 |
| 4754 | Alabaster sculpture, ''4th Person at the Hunter's Dance'' by Doug Hyde (American, 1946 - ), signed on base, titled and inscribed underneath, overall: approximately 12''h x 12''w. | 425 |
| 4755 | Hexagonal gilt painted standing light shade with caramel slag glass panels, 36''h | 60 |
| 4756 | (lot of 2) Circa 1900 brass candlestick phone, together with a Stromberg-Carlson Art Deco bakelite rotary phone | 175 |
| 4758 | United Electric painted metal figural clock ''Roosevelt at the Wheel for a New Deal'' 13'' | 175 |
| 4759 | Waterbury mantle clock, 22''h | 60 |
| 4760 | Toy model of an Empire electric stove and oven | 120 |
| 4761 | Carve |